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Speech, Language, and Literacy Fun with Karma Wilson’s “Bear” Books

In my previous posts, I’ve shared my thoughts about picture books being an excellent source of materials for assessment and treatment purposes. They can serve as narrative elicitation aids for children of various ages and intellectual abilities, ranging from pre-K through fourth grade.  They are also incredibly effective treatment aids for addressing a variety of speech, language, and literacy goals that extend far beyond narrative production.

In the past, I’ve shared several posts regarding how to incorporate both fiction and nonfiction picture books into contextual language intervention sessions, with the most recent posts describing how I incorporate Helen Lester‘s as well as Julia Cook‘s picture books into therapy sessions.

Today I wanted to share how I implement books by Karma Wilson into my treatment sessions with preschool, kindergarten aged, as well as early elementary aged children.

Though these books are intended for younger children (3-8 years; pre-K-3rd grade), older children (~10 years of age) with significant language and learning difficulties and/or intellectual disabilities can significantly benefit from reading/listening to them and enjoy working with them as well.

Much like Helen Lester’s books, Karma Wilson’s books possess tremendous versatility with respect to what goals can be targeted via their use.

Themes:

  • Ms. Wilson’s books are terrific for discussing a variety of seasonal events and happenings.
    • Bear Feels Sick’, ‘Bear Feels Scared’ and ‘Bear Says Thanks‘ take place in the fall.
    • Bear Can’t Sleep’, ‘Bear Stays Up’, and ‘Bear Snores On‘ take place in the winter.
    • Bear’s New Friend’ and Bear’s Loose Tooth‘ take place in the Spring and Summer.
  • They are great for discussing illness and visits to the dentist (‘Bear Feels Sick’ and Bear’s Loose Tooth’), hibernation ( ‘Bear Snores On‘), holidays such as Thanksgiving and Christmas (‘Bear Says Thanks‘ and ‘Bear Stays Up‘).
  • They are also great for select social themes such as feeling frightened and making new friends (‘Bear Feels Scared’ and ‘Bear’s New Friend’).
  • Finally, ‘Bear Wants More‘ is great for working on nutrition as well as on making healthy food choices, in addition to reviewing a variety of food groups as well as food categories.

Speech Production: Bear books are terrific for the production of a variety of sounds in words in sentences including /r/ in all books, /s/ (‘Bear Feels Sick’, ‘Bear Feels Scared’), /th/ (‘Bear Says Thanks‘ ), etc.

Language: There are numerous language goals that could be formulated based on Karma Wilson’s books including answering concrete and abstract listening comprehension questions, defining story-embedded vocabulary words, producing word associations, synonyms, antonyms, and multiple-meaning words (semantic awareness), formulating compound and complex sentences (syntax), answering predicting and inferencing questions (critical thinking), gauging moods and identifying emotional reactions of characters (social communication), assuming characters’ perspectives and frame of reference (social cognition, theory of mind, etc.), identifying main ideas in text (Gestalt processing) and much, much more.

  • Select Highlights:Vocabulary: For the ages/grades that there’ve written for (3-8 years; pre-K-3rd grade), Ms. Wilson’s books are laden with a wealth of sophisticated vocabulary words such as vale, crooked, trail, lumbers, prowl, howl, spooks, wails, dimmer, squeaks, lair, roam, perch, prepare, trembles, longs, flounce, squawk, cluster, etc. (From the ‘Bear Feels Scared’ book)
  • Social Communication: ‘Bear’s New Friend’, ‘Bear’s Loose Tooth’, and ‘Bear Says Thanks’ are especially terrific for addressing a variety of social themes such as rules of politeness, making new friends (and accepting them for who they are), as well as helping out friends in difficult circumstances.

Literacy: Similar to the above, numerous literacy goals can be formulated based on these books. These include but are not limited to, goals targeting phonological (e.g., rhyming words, counting syllables in words, etc.) and phonemic awareness, phonics, reading fluency and comprehension, spelling, as well as the composition of written responses to story questions.

  • Select Highlights:
    • Phonics: Students can practice reading words containing a variety of syllable shapes as well as decode low-frequency words containing a variety of consonantal clusters (From the ‘Bear Feels Sick’ book: achy, autumn, stuffed, sneezes, heap, wheezes, whiffs, mutters, mumbles, moans, broth, squeezes, whispers, cloth, gopher, coax, herbs, smidgen, fuss, fret, etc. 
    • Morphology: There’s a terrific opportunity to introduce a discussion on simple affixes when using Ms. Wilson’s books to discuss how for example, select suffixes (e.g., –s, -ly, ‘ed, etc.) can change root words.  (From the ‘Bear Stays Up’ book: soundly, stays, gathered, etc.) 
    • Spelling: There is a terrific opportunity for children to practice spelling numerous spelling patterns to solidify their spelling abilities. From the ‘Bear’s New Friend’ book:  -00-, -ee-, -ea-,-oo-, -oe-, -ou-, -le, -ff-, -mm-, -tt-, etc.

As mentioned in previous posts, when working with picture books, I typically spend numerous sessions working with the same book. That is because research indicates that language disordered children require 36 exposures  (as compared with 12 exposures for typically developing children) to learn new words via interactive book reading (Storkel et al, 2016). As such, I discuss vocabulary words before, during, and after the book reading, by asking the children to both repeatedly define and then use selected words in sentences so the students can solidify their knowledge of these words.

I also spent quite a bit of time on macrostructure, particularly on the identification and definitions of story grammar elements as well as having the student match the story grammar picture cards to various portions of the book.

When working with picture books, here are some verbal prompts that I provide to the students with a focus on story Characters and Setting

  • Who are the characters in this story?
  • Where is the setting in this story?
  • Are there multiple settings in this story?
  • What are some emotions the characters experience throughout this story?
  • When did they experience these emotions in the story?
  • How do you think this character is feeling when ____?
    • Why?
    • How do you know?
  • What do you think this character is thinking?
    • Why?
    • How do you know?
  • What are some actions the characters performed throughout the story?
  • What were the results of some of those actions?

Here is a sampling of verbal prompts I provide to the students with a focus on story Sequencing 

  • What happened at the beginning of the story?
    • What words can we use to start a story?
  • What happened next?
  • What happened after that?
  • What happened last?
  • How do we end a story?
  • What was the problem in the story?
  • Was there more than one problem?
    • What happened?
    • Who solved it?
    • How did s/he solve it?
  • Was there adventure in the story?
    • If yes, how did it start and end?

Here is a sampling of verbal prompts I provide to the students with a focus on Critical Thinking Image result for bear says thanks

  • How are these two characters alike/different? (compare/contrast)
  • What do you think will happen next? (predicting)
  •  Why/How do you think ___ happened (inferencing)
  • Why shouldn’t you, couldn’t s/he ____ ? (answering negative questions)
  • What do you thing s/he must do to ______? (problem-solving)
  • How would you solve his problem? (determining solutions)
  • Why is your solution ______ a good solution? (providing justifications)

Here is a small sampling of verbal prompts I provide to the students with a focus on Social Communication and Social Cognition 

  • How would you feel if ____?
  • What is his/her mood at ____ point in the story?
    • How do you know?
  • What is his/her reaction to the ____?
    • How do you know?
  • How does it make you feel that s/he are _____?
  • Can you tell me two completely different results of this character’s actions?
  • What could you say to this character to make him/her feel better?
    • Why?
  • What would you think if?

At times, I also use select Free TPT resources to supplement my sessions with book-related visuals as related materials.

There you have it! Just a few of the reasons why I really like using Karma Wilson’s books for language and literacy treatment purposes with younger children. How about you? Do you use any of her books for treatment purposes? If yes, comment below which ones you use and why do you use them?

References:

Helpful Related Smart Speech Therapy Resources: 

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ASHA Web Chat: Strategies for Serving Children with Language Impairment and Emotional/Behavioral Disorders

Yesterday, myself, Abby Rozenberg and Timothy Kowalski, along with Jaumeiko Coleman, ex-officio (ASHA staff liaison) for SIG 16, participated in a FREE 2-hour-web chat moderated by Jill Straniero, entitled “Strategies for Serving Children with Language Impairment and Emotional/Behavioral Disorders“.

During the course of those two hours, we answered questions on a variety of topics pertaining to the assessment and intervention needs of children with diagnosed and suspected psychiatric disorders.    Topics included: comorbidity of language and psychiatric impairments, the connection between behavior and communication, formal and informal social communication testing, the effect of self-regulation on language and behavior, and much much more. If you are interested in this topic or are working with children diagnosed with emotional and behavioral disturbances, please know that the complete transcript of this web chat is available HERE for FREE.  Beyond the answers to a variety of presented questions, it contains links to resource websites, YouTube videos, blog posts, research articles, as well as informational groups on Facebook.

For those who were unable to participate in yesterday’s web chat, feel free to post your questions in the comments section below,  and I will be happy to provide some assistance to you.

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Editable Report Template and Tutorial for the Test of Integrated Language and Literacy

Today I am introducing my newest report template for the Test of Integrated Language and Literacy.

This 16-page fully editable report template discusses the testing results and includes the following components:

  • Table of testing results
  • Recommendations for using severity ratings of percentile ranks
  • Recommendations of which information to include in the background history section of the report
  • Teacher Interview Samples for Adolescent and Elementary Aged Students
  • Classroom Observations Sample
  • Adaptive behavior section sample
  • Assessment findings
    • All subtests descriptions
    • Extensive descriptions of how to analyze error patterns on all subtests
    • Descriptions of how to analyze scenarios when a student obtains average performance but it contradicts academic functioning.
    • Elaborations regarding specific subtests, weaknesses on which are not as apparent or straightforward (e.g., Nonword Repetition, Following Directions, etc.)
    • Recommendations for supplemental testing when the performance on select subtests (e.g., Social Communication) is within the average range despite glaring weaknesses
    • Extensive error descriptions that can be found on the Reading Fluency subtest
    • Extensive footnotes with clarifying information
    • Links to a variety of TILLS FREE tutorials created by the authors
    • Impressions section formulation
    • Possible ICD-10 diagnoses that can result based on TILLS assessment
    • Accommodations Section
    • Adaptive Recommendations Section
    • Maintaining Factors Section
    • Suggested Therapy Long and Short Term Goals Sampler for
      • Listening Comprehension
      • Oral Communication
      • Social Communication
      • Phonological Awareness
      • Phonics
      • Reading Fluency
      • Reading Comprehension
      • Spelling
      • Writing Conventions
      • Writing Composition
      • Reward System and Rationale
      • Expected duration of treatment
      • Prognosis
      • Therapy Discharge Recommendations

You can access it HERE in my online store.  My review of the TILLS is available HERE 

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What are They Trying To Say? Interpreting Music Lyrics for Figurative Language Acquisition Purposes

Image result for music lyricsIn my last post, I described how I use obscurely worded newspaper headlines to improve my students’ interpretation of ambiguous and figurative language.  Today, I wanted to further delve into this topic by describing the utility of interpreting music lyrics for language therapy purposes. I really like using music lyrics for language treatment purposes. Not only do my students and I get to listen to really cool music, but we also get an opportunity to define a variety of literary devices (e.g., hyperboles, similes, metaphors, etc.) as well as identify them and interpret their meaning in music lyrics.

Lyrics interpretation is a complex task.   There is definitely a myriad of ways one can interpret the lyrics of a particular song, the sky is the limit!  As such, I am always mindful of the complexity of this task and typically tend to target this as a language goal with my adolescent students.  I don’t always target the interpretation of lyrics in the entire song, especially because many great recording artists use quite a healthy amount of profanities in their lyrics that I do not necessarily want the students to hear. As such, I may play portions of songs or present clean versions of lyrics to my students for their interpretation. Prior to choosing particular lyrics I typically review the following wikiHow article: How to Figure Out a Song’s Meaning as it provides some helpful advice to students regarding the parameters which they could use to analyze music lyrics.

Typically, I like to approach language goals pertaining to music lyrics interpretation, thematically. So, if I am working with my students on the identification of particular literary devices/figurative language, I will use that opportunity to introduce a variety of songs containing that particular literary device.

To illustrate, if my students are working on the identification and description of 1hyperboles, I will locate a number of songs containing hyperboles for them to identify and utilize in a variety of contexts.

Working on 2alliteration? There are plenty of songs available on this topic.

Looking for songs that utilize 3similes? There are literally so many of them! You can find them HERE, HERE, and HERE for starters.

How about 4metaphors? Sure thing!Image result for metaphors and similes

5Personification? Oh, yes, plenty of sources!

6Onomatopoeia?  Ono mono, no problem! 

Finally, how about some 7 irony? Definitely got it!

Now that we have identified just some of the potential sources we can use for this purpose,  let me describe how I address this goal with my students. Prior to initiating a unit on the interpretation of music lyrics, I typically ensure that my students are highly familiar with the expected literary terms (e.g., similes, metaphors, personification, alliteration, onomatopoeia, hyperboles, as well as irony).  We use a variety of worksheets at first, then find these terms in a variety of texts, and later transition to using the above terms in conversational exchanges via oral and written sentence formulation tasks.

Some basic questions to ask the students:

  • What is figurative language?
  • What are the most common figurative language types? (metaphors and similes)
  • What is a metaphor? (definition)
  • Can you give me some examples of metaphors?
  • What is a simile? (definition)
  • Can you give me some examples of similes?
  • What are some other examples of figurative language?  (ask for definitions and examples of personification, alliteration etc.)
  • Why do songwriters use figurative language in their lyrics?

After ensuring that my students have the solid knowledge of definitions and can use examples of these terms in sentences, I introduce them to the mutually selected music videos and ask them whether they know what the lyrics signify. Many of my students frequently report that while they had memorized some of the lyrics in the past, they’ve never actually thought about their meaning.  After listening to a portion of the video/audio I then present the words in writing and ask them to answer a few questions.

For example, after listening to “Tik Tok” by Ke$ha I will ask them: “What type of figurative language is Ke$ha using here?’

“Tick! Tock! on the clock but the party don’t stop”. 

What makes it __________?

Image result for lyric writingIn addition to defining the literary terms, locating their examples of music lyrics, using them in sentences, etc. there are numerous other extension activities that SLPs could use for the purpose of targeting this goal.  One suggestion is to ask the students to create their own simple music lyrics utilizing figurative language and then have them explain their songwriting process.

There are numerous fun and educational activities which can be targeted via this goal with the help of the selected FREE resources below. So if you didn’t get a chance to target this therapy goal in sessions, give it a try. It definitely goes a long way toward improving our students metacognitive and metalinguistic abilities for social and academic purposes.

Helpful FREE Online Resources:

Helpful FREE TPT Worksheets

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Updated: What Does “Their Social Skills Are Just Fine” Really Means When it Comes to Children with Language Impairment

As a frequent participant in a variety of speech pathology forums I’ve read through countless “mini scenarios” of SLPs asking for advice regarding various aspects of therapy service provision for children with average IQ and language impairment (characterized by weaknesses in the area of listening comprehension, language processing, vocabulary acquisition, sentence formulation, as well as conversational development.)

When I ask the following question: “What about their social skills difficulties?” I invariably receive the following answer: “Their social skills are just fine!” When I ask: “How was their social competence assessed?” I am invariably told: “The teachers don’t have any complaints, their eye contact is good, and they can keep up with conversations.”

As a result of seeing these and similar statements over and over again from a number of professionals, I decided to write a blog post on this topic due to a certain degree of frustration on my part.

The first concept taught in typical language development classes in undergrad is the fact that language is composed of three areas: Content, Form, and Use. Basically speaking Content refers to conveying coherent and cohesive messages to others, Form refers to grammatically and syntactically correct expression of language, while Use refers to appropriate social pragmatic interactions with the public at large (Bloom & Lahey, 1978). In other words these three areas are interconnected and difficulties will not be exclusively relegated to one area only.

This is further supported by research which indicates that children with language impairment (what many clinicians know as Developmental Language Disorders or DLD, formerly known as Specific Language Impairment or SLI) are actually impaired in numerous aspects of language including phonology, morphology, syntax, etc.

Furthermore, research into language development and disorders has revealed that there is no such category as expressive language disorder alone. In other words, if there are expressive language deficits, you will most certainly find receptive language deficits if you look carefully enough.  In his seminal article entitled: “Is Expressive Language Disorder an Accurate Diagnostic Category?” Laurence Leondard (2009) concluded that “deficits in language expression are typically accompanied by limitations in language knowledge or difficulties processing language input“.

So now that we know that language deficits are diffused and not isolated (e.g., impaired vocabulary/grammar only), let us discuss how social skills/social competence deficits fit into this picture.

One set of researchers who has been studying the construct of social skills in children with DLD for the past several decades are Bonnie Brinton and Martin Fujiki.  In some of their earlier articles in the 90s they found evidence that children with DLD manifested pragmatic difficulties in conversational contexts with partners and were unable to adequately adjust to the needs of others in social interactions (Brinton, & Fujiki, 1993: Brinton & Fujiki,  1995; Brinton, Fujiki,  & Powell, 1997; Fujiki & Brinton, 1994: Fujiki, Brinton  & Todd 1996).

Later, Brinton’s and Fujiki’s work expanded beyond the pragmatic interactions to focus on the concept of social competence of children with language impairments. For those unfamiliar with this term, social competence is a complex, multidimensional concept composed of successful co-interaction of social, emotional, cognitive as well as behavioral factors, resulting in successful social adaptation (Semrud-Clikeman, 2007).

Brinton and Fujiki’s later studies found that children with language impairments were less accepted by peers, had poorer friendships, were perceived by teachers as being more withdrawn (as compared to peers) as well as presented with poor emotional competence and emotional intelligence (Brinton & Fujiki, 2012; Fujiki, Spackman, Brinton, & Illig, 2008; Spackman, Fujiki, Brinton, Nelson, & Allen, 2005).

Studies by other authors found that children with language impairments also present with impaired abstract emotion comprehension (Ford & Milosky, 2003).

In addition, researchers also found that the social competence of language impaired children is affected from a very early age. To illustrate, Longobardi, Spataro, Frigerio & Rescorla, 2015, found that young children (2+ years of age) with delayed language development (who produced fewer than 50 words) exhibited lower social abilities, compared to age-matched peers.

What does this mean? 

Research unequivocally indicates that children with language impairment or DLD, also present with concomitant social communication difficulties, which if left untreated will significantly adversely affect their academic outcomes as well as future life success. It is important to note that due to the varying the nature of social communication deficits (internalizing versus externalizing manifestations) many social communication deficits will be missed without the administration of appropriate social pragmatic language assessments.  It is also important to note that presently social pragmatic assessments ARE NOT routinely administered in numerous school settings as part of comprehensive language assessments.

Consequently, if a student presents with language impairment and the prevailing teacher/parental belief is that his/her social skills are “just fine”, it is important to support this with relevant data based on comprehensive formal and informal battery of social communication assessments in order to justify the above statement with all due veracity.

References:

  • Bloom, L & Lahey, M. (1978) Language development and language disorders.New York, Wiley.
  • Brinton, B., & Fujiki, M. (1993).  Language, social skills, and socioemotional behavior.  Language, Speech, and Hearing Services in Schools, 24, 194-198.
  • Brinton, B. & Fujiki, M. (1995). Intervention with conversational skills.  In M. E. Fey, J. Windsor, & S. Warren, (Eds.) Communication intervention for school-age children (pp. 183-212).  Baltimore: Paul H. Brookes.
  • Brinton, B., Fujiki, M., & Powell, J. M. (1997).  The ability of children with language impairment to manipulate topic in a structured task.  Language, Speech, and Hearing Services in Schools, 28, 3-11.
  • Brinton B., & Fujiki, M. (2012). Social and affective factors in children with language impairment. Implications for literacy learning. In C. A. Stone, E. R. Silliman, B. J. Ehren, & K. Apel (Eds.), Handbook of language and literacy: Development and disorders (2nd Ed.). New York, NY: Guilford.
  • Ford, J., & Milosky, L. (2003). Inferring emotional reactions in social situations: Differences in children with language impairment. Journal of Speech, Language, and Hearing Research, 46(1), 21-30.
  • Fujiki, M. & Brinton, B. (1994).  The social competence of children with specific language impairment.  In M. L. Rice & R. Watkins (Eds.) Language intervention with children with specific language impairment (pp. 123-143). Baltimore: Paul H. Brookes.
  • Fujiki, M., Brinton, B., & Todd, C.M. (1996).  Social skills of children with specific language impairment.  Language, Speech, and Hearing Services in Schools, 27, 195-202.
  • Fujiki, M., Spackman, M. P., Brinton, B., & Illig, T. (2008). Ability of children with language impairment to understand emotion conveyed by prosody in a narrative passage. International Journal of Language & Communication Disorders, 43(3), 330-345
  • Longobardi, E, Spataro, P, Frigerio A & Rescorla, L (2015) Language and social competence in typically developing children and late talkers between 18 and 35 months of age. Early Child Development and Care.
  • Semrud-Clikeman, M. (2007). Social competence in children. New York, NY: Springer.

Helpful Smart Speech Resources Related to Assessment and Treatment of Social Pragmatic Disorders 

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Using Picture Books to Teach Children That It’s OK to Make Mistakes and Take Risks

Image result for children making mistakesThose of you who follow my blog know that in my primary job as an SLP working for a psychiatric hospital, I assess and treat language and literacy impaired students with significant emotional and behavioral disturbances. I often do so via the aid of picture books (click HERE for my previous posts on this topic) dealing with a variety of social communication topics.

Two themes that consistently come up in my therapy sessions are taking risks and making mistakes. Many of my students are very afraid of taking risks and are terrified of trying new things whether educationally or socially. To address the issue of taking risks and changing one’s mindset I like using two books by Julia Cook Bubble Gum Brain’ as well as ‘Don’t Be Afraid to Drop’.

Image result for bubble gum brainBubble Gum Brain’ (video) is a book about two kids: Bubble Gum Brain and Brick Brain, with two drastically different frames of mind. Bubble Gum Brain is a fun fun-loving adventure-taker who makes loads of mistakes, whether falling off a unicycle, striking out at baseball, or playing the harmonica. Even though those things are very difficult, he is not concerned about making mistakes because he realizes that by persevering and not giving up he is learning new things and actually having fun in the process. In contrast, Brick Brain is convinced that “things are just fine the way they are” and trying new things is hard. Brick Brain is hugely reluctant to take any chances in sports, at play, and in life, and is frequently complaining that things are “way too hard”. Then Bubble Gum Brain shows Brick Brain that all he needs to do is to peel off his wrapper, in order to see that he also has a Bubble Gum Brain. After that Brick Brain starts to realize that school and life can be a lot more palatable and even fun even when one is making mistakes.

Book Buddy for Bubble Gum Brain by Julia CookMy favorite part about this book is teaching my students to understand the Power of Yet (“You can’t figure this out …yet”), and explaining to them that with hard work and perseverance they can accomplish just about anything they set their mind to, including the mastery of their language and literacy goals! I teach them to take chances by trying to go just a little bit farther each time and pushing themselves just a tiny bit more in each of their therapy sessions. In addition to asking my students critical thinking questions regarding this text, I at times use a FREE book companion from Technology Tidbits on TPT, to supplement my therapy sessions. It contains a lesson plan overview, a book quiz, a sorting activity, and a few other resources which can wonderfully supplement the session for this book.

Related image

Similar to the above,’Don’t be Afraid to Drop’ (video) is a book about a raindrop who is incredibly comfortable living in his cloud with his friends. He is having a very difficult time letting go of the comforts of his cloud as he doesn’t like change or wants to take a risk. However, with his father’s encouragement, the raindrop is eventually persuaded to leave his comfort zone and jump to the ground to see what he is missing. I really like the positive message in this book regarding welcoming change as well as giving back. “You can have it silver you might end up – I promise, you’ll be just fine you will land where you are needed.” By the end of the book, the raindrop realizes that “dropping” had helped him to grow; that change is an ultimately positive thing; and that giving to others (e.g., watering a flower) helps us all grow!

To continue, a considerable number of my students not only both loath (unwilling, reluctant) and loathe (hate) to make mistakes and be perceived as wrong, but will react in some pretty significant ways when those mistakes occur (e.g., climb under the table and refuse to come out, throw a tantrum and refuse to attend therapy sessions, etc.). To teach my students that mistakes are actually beneficial for learning I like to use books such as ‘The Girl Who Never Made Mistakes!’ by Mark Pett and Gary Rubenstein and ‘Your Fantastic, Elastic Brain‘ by  JoAnn Deak. 

11526654Beatrice Bottomwell is ‘The Girl Who Never Made Mistakes!’ (video) This nine-year-old is perfect in every way, to the point that when she leaves the house she is greeted by her fans, who don’t even know her real name because she’s known to everyone in town as “The Girl Who Never Made Mistakes”.  Beatrice never forgets her math homework, never wears mismatched socks, and has won her school’s talent show by doing her juggling act for three years in a row.  Then one day during cooking class, Beatrice makes an ‘almost mistake’ as she slips on a piece of rhubarb while carrying eggs from the fridge. Even though she manages to catch all the eggs, Beatrice becomes highly preoccupied with her ‘almost mistake’. In fact, she is so perturbed by it that she doesn’t want to ice skate with her friends and can barely eat her food. Later that evening, during the school’s talent show Beatrice’s preoccupation with her ‘almost mistake’ causes her to make a spectacularly huge mistake, which results in her being soaked in water, covered in pepper, with a hamster on her head.  Luckily, rather than getting spectacularly upset, Beatrice comes to a realization that not only do mistakes happen but sometimes they can be pretty hilarious! So rather than crying or getting upset she begins to their end the audience joins in until soon, no can’t quite remember why they were everlasting. This serves as a catalyst for Beatrice not only to have peace of mind but also to mix-and-match her wardrobe choices, make unusual lunches, as well as do plenty of falling during ice-skating. This also precipitates townfolk to finally start calling Beatrice by her real name rather than “The Girl Who Never Made Mistakes”.

Prior to reading this book, I discuss with my students the concept of mistakes, how they feel about when they make mistakes, whether they know people who have never made mistakes, as well as when, do they think it is ok to make mistakes. I spend quite a bit of time on discussing text embedded vocabulary words as well as idiomatic expressions (e.g., ‘stunned’, ‘wobbled’, ‘didn’t miss a beat’, ‘auditorium was packed’, etc.). There is a wealth of amazing FREE materials available to complement this book.  They include but are not limited to: a book companionBloom taxonomy leveled questions for grades Pre-K-5th, as well as an educators guide from the book’s two authors.

Image result for YOUR FANTASTIC ELASTIC BRAIN: STRETCH IT, SHAPE ITIn contrast to all the above books, ‘Your Fantastic, Elastic Brain‘ (video) is a non-fiction book with a focus on describing brain structures and their functions in a very kid-friendly way. The author, who is a psychologist by trade, does a really great job at explaining to children that the brain controls everything we do. She describes the functions of such structures as the cerebrum, cerebellum, hippocampus, amygdala, prefrontal cortex, as well as neurons in very child-friendly terms.  She explains the importance of practicing to get better at doing something, as well as emphasizes that things “get easier when you keep trying”.   I love the stress on the fact that “making mistakes is one of the best ways your brain learns and grows,” and that “if you aren’t willing to risk being wrong, you want to take the chances that S-T-R-E-T-C-H your elastic brain“. In addition to already mentioned science-related words identifying select structures of the brain, the book offers other impressive vocabulary choices such as balance, movement, electrical, signal, cells, neurosculptor, courage, molds, etc.  Beyond understanding why it’s okay to make mistakes, my students feel “really grown-up” because they get the unique opportunity to discuss parts of the brain “even kids in high school don’t know,” as one of my students had put it.

The publishers of the book ‘Little Pickle Press’ have a wonderful 16-page, free lesson plan for educators, intended for children ranging in ages from pre-K through third grade (although it can be easily used with older students with language difficulties as well as intellectual impairment). It is chock-full of educational activities, additional resources, as well as questions which facilitate the growth of meta-cognitive and metalinguistic abilities in elementary aged children. I also use Ned the Neuron Videos to complement book reading as well as book activities. Finally, a handy poster associated with the book can be downloaded HERE.

Image result for Thanks for the Feedback, I thinkIn conjunction with teaching children that it is perfectly acceptable to make mistakes I also attempt to ensure that they react appropriately when provided with constructive feedback.  For the purpose, I like to utilize a book by Julia Cook, entitled: ‘Thanks for the Feedback, I think‘ (video).  While this book primarily deals with helping children  appropriately respond to compliments, there are still several instances in the book when RJ, the main character receives constructive feedback aimed at helping him to get better at certain things such as playing soccer, keeping a lower voice in class, staying in his seat, as well as dawdling less during assignments. One complimentary activity I like to do in conjunction with the book reading is to have my students watch a variety of YouTube videos, in which individuals are receiving some form of feedback from others. It could be anything from the ‘American Idol’ and ‘Voice’ auditions to ‘Chopped’ judges providing feedback to chefs. After watching the clips I ask the students their impressions on how feedback was received by the participants and how did they figure out whether the participants reacted well/poorly to the provided feedback.

Image result for the judgemental flowerTo cap off our discussion on taking risks, making mistakes, and accepting feedback, I also wanted to give an honorary mention to yet another book by the prolific Julia Cook entitled, ‘The Judgmental Flower‘. It teaches children the value of being non-judgemental and being accepting of others’ differences. Because I work with children with significant emotional and behavioral difficulties, this book comes especially handy, when my students are attempting to be quite judgmentally rude to each other. I use this book to teach them to embrace and learn from each other’s differences and emphasize the fact that the world would be very boring is all of us were exactly the same. I also spend some time exploring the notion of “growing in the right direction” as well as on explaining the concept of diversity. I occasionally supplement the book reading with select FREE Activities which can be found HERE and HERE.

Of course, it is important to note that while I use the above books to improve my students’ social communication and executive function abilities, I do so by creating a variety of goals which explicitly target my students’ verbal expression, as well as reading fluency, reading comprehension, spelling, and writing skills. These include answering concrete and abstract questions, defining context embedded vocabulary words, decoding words in books, answering reading comprehension questions given visual support, as well as formulating written sentences based on select words identified in the stories, utilizing appropriate punctuation and capitalization.

Image result for moreSo now that you know what type of books I use in my therapy sessions with a focus on taking risks, making mistakes, accepting feedback, as well as being nonjudgmental, I’d love to expand my list by learning about new titles I am not yet aware of from you. Feel free to comments below regarding what other books you are using to address these themes in therapy.

Helpful Smart Speech Therapy Resources:

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Speech, Language, and Literacy Fun with Helen Lester’s Picture Books

Picture books are absolutely wonderful for both assessment and treatment purposes! They are terrific as narrative elicitation aids for children of various ages, ranging from pre-K through fourth grade.  They are amazing treatment aids for addressing a variety of speech, language, and literacy goals that extend far beyond narrative production.

There are numerous children books authors whom I absolutely adore (e.g., Karma Wilson, Keiko Kasza, Jez Alborough, M. Christina Butler, etc.). Today I wanted to describe how I implement books by Helen Lester into my treatment sessions with elementary aged children. (For information on how I use her books: “Pookins Gets Her Way” and “A Porcupine Named Fluffy” for narrative elicitation purposes click HERE.)

It is important to note that while Ms. Lester’s books are intended for younger children (4-7 years; pre-K-3rd grade), older children (~10 years of age) with significant language and learning difficulties and/or intellectual disabilities have enjoyed working with them and have significantly benefited from reading/listening to them.

Two reasons why I love using Ms. Lester’s books are versatility and wealth of social themes. To illustrate, “Hooway for Wodney Wat” and “Wodney Wat’s Wobot” are two books about a shy rat who cannot pronounce his ‘r’ sounds. Wodney is hugely embarrassed by that fact, and since there are no speech-language pathologists in Rodentia-land, Wodney spends his recess, hiding inside his jacket, trying to be as inconspicuous as possible. The arrival of a bullying, Miss-know-it-all, Camilla Capybara, brings some unexpected changes into the school’s dynamic, as well as provides Wodney with a very welcome opportunity to shine socially.

Image result for wodney wobotSpeech Production: Not only is there a phenomenal opportunity to use this book with children struggling with /r/ sound production, but it’s also heavily laden with a plethora of /r/ words in a variety of word positions (e.g., rodeo, robot, contraption, barrel, terrific, fur, prickled, bigger, fear, classroom, smarter, sure, etc.).

Language: There are numerous language goals that could be formulated based on Helen Lester’s books including answering concrete and abstract listening comprehension questions, defining story-embedded vocabulary words, producing word associations, synonyms, antonyms, and multiple meaning words (semantic awareness), formulating compound and complex sentences (syntax), answering predicting and inferencing questions (critical thinking), gauging moods and identifying emotional reactions of characters (social communication), assuming characters’ perspectives and frame of reference (social cognition, theory of mind, etc.), identifying main ideas in text (Gestalt processing) and much, much more.

  • Select Highlights:
    • VocabularyFor the ages/grades that there’ve written for (4-7 years; pre-K-3rd grade), Ms. Lester’s books are laden with a wealth of sophisticated vocabulary words such a: curtsy, contraption, trembled, dreary, shudder, varmint, fashionable, rodent, rattled, shenanigans, chanting, surgical, plunked, occasion, exception, etc.
    • Word Play:  Ms. Lester infuses a great deal of humor and wit in her books. Just look at the names of her characters in “A Sheep in Wolf’s Clothing”, which are: Ewetopia, Ewecalyptus, Ewetensil, Heyewe, Rambunctious, Ramshackle, and Ramplestiltskin.  Her ovine characters live in Pastureland and attend Woolyones’ Costume Balls while her porcine characters eat in a trough-a-teria.  
    • Social Communication: Many of Ms. Lester’s book themes focus on the celebration of neurodiversity (e.g., “Tacky the Penguin”), learning valuable life lessons (e.g., “Me First”), addressing one’s fears (e.g., “Something Might Happen”) and feeling uncomfortable in own skin (e.g., “A Sheep in Wolf’s Clothing”), etc.

Literacy: Similar to the above, numerous literacy goals can be formulated based on these books. These include but are not limited to, goals targeting phonological (e.g., rhyming words, counting syllables in words, etc.) and phonemic awareness, phonics, reading fluency and comprehension, spelling, as well as the composition of written responses to story questions.

  • Image result for princess penelope's parrotSelect Highlights:
    • Phonics: Students can practice reading words containing a variety of syllable shapes as well as decode low-frequency words containing a variety of consonantal clusters (Examples from “Princess Penelope’s Parrot” are:  hissed, parrot, buzzard, horribly, flicked, plucked, field,  flapped, silence, Percival, velvet, cloak, caviar, clippy-clopped, poofiest, impressed, expensive, galloping, gulped, bouquet, squawked, etc.)
    • Morphology: There’s a terrific opportunity to introduce a discussion on roots and affixes when using Ms. Lester’s books to discuss how select prefixes and suffixes (e.g., ante-, -able, -ive, -ion, etc.) can significantly increase word sophistication of numerous root words (e.g., impressive, exception, etc.)
    • Spelling: There is a terrific opportunity for children to practice spelling numerous spelling patterns to solidify their spelling abilities, including -ee-, -ea-, -ou-,-oo-, -oa-, -ui-, -ck, -tt-, -rr-, -ss-, -cc-, etc.

When working with picture books, I typically spend numerous sessions working with the same book. That is because research indicates that language disordered children require 36 exposures  (as compared with 12 exposures for typically developing children) to learn new words via interactive book reading (Storkel et al, 2016). As such, I discuss vocabulary words before, during, and after the book reading, by asking the children to both repeatedly define and then use selected words in sentences so the students can solidify their knowledge of these words.

I also spent quite a bit of time on macrostructure, particularly on the identification and definitions of story grammar elements as well as having the student match the story grammar picture cards to various portions of the book.

When working with picture books, here are some verbal prompts that I provide to the students with a focus on story Characters and Setting

  • Who are the characters in this story?
  • Where is the setting in this story?
  • Are there multiple settings in this story?
  • What are some emotions the characters experience throughout this story?
  • When did they experience these emotions in the story?
  • How do you think this character is feeling when ____?
    • Why?
    • How do you know?
  • What do you think this character is thinking?
    • Why?
    • How do you know?
  • What are some actions the characters performed throughout the story?
  • What were the results of some of those actions?

Here is a sampling of verbal prompts I provide to the students with a focus on story Sequencing 

  • What happened at the beginning of the story?
    • What words can we use to start a story?
  • What happened next?
  • What happened after that?
  • What happened last?
  • How do we end a story?
  • What was the problem in the story?
  • Was there more than one problem?
    • What happened?
    • Who solved it?
    • How did s/he solve it?
  • Was there adventure in the story?
    • If yes, how did it start and end?

Here is a sampling of verbal prompts I provide to the students with a focus on Critical Thinking 

  • How are these two characters alike/different? (compare/contrast)
  • What do you think will happen next? (predicting)
  •  Why/How do you think ___ happened (inferencing)
  • Why shouldn’t you, couldn’t s/he ____ ? (answering negative questions)
  • What do you thing s/he must do to ______? (problem-solving)
  • How would you solve his problem? (determining solutions)
  • Why is your solution ______ a good solution? (providing justifications)

Image result for tacky penguinHere is a small sampling of verbal prompts I provide to the students with a focus on Social Communication and Social Cognition 

  • How would you feel if ____?
  • What is his/her mood at ____ point in the story?
    • How do you know?
  • What is his/her reaction to the ____?
    • How do you know?
  • How does it make you feel that s/he are _____?
  • Can you tell me two completely different results of this character’s actions?
  • What could you say to this character to make him/her feel better?
    • Why?
  • What would you think if?

At times, I also use Ms. Lester’s guide for the following books: ‘It Wasn’t My Fault’, ‘Listen, Buddy’, ‘Me First’, and ‘A Porcupine Named Fluffy‘ to supplement my therapy sessions goals. It provides additional helpful ideas and suggestions on how her books can be further used in both therapy room as well as the classroom.

Finally, one of the major reasons why I really like Ms. Lester’s books is because some of them are ‘art imitating life’ and do not necessarily end up in a ‘traditional’ happily ever after. To, illustrate, “Princess Penelope’s Parrot” is a book about a spoiled princess who cannot get her new parrot to talk, even after threatening it and calling it insulting names. When Prince Percival comes courting, the parrot takes his hilarious revenge on Princess Penelope, and the parrot and Prince Percival do end up living happily ever after. However, Princess Penelope quickly gets over her embarrassment and goes back to her unrepentantly spoiled way of acting.

There you have it! Just a few of my many reasons why I adore using Helen Lester’s books for language and literacy treatment purposes. How about you? Do you use any of her books for assessment and treatment purposes? If yes, comment below which ones you use and why do you use them?

References:

Helpful Related Smart Speech Therapy Resources: 

 

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Speech, Language, & Literacy Disorders in School Aged Children with Psychiatric Impairments

Recently I did a presentation for Rutgers University on the subject of  “Speech, Language, & Literacy Disorders in School-Aged Children with Psychiatric Impairments“. The learning objectives for this presentation were as follows:  

  • Explain the comorbidity between language impairments and psychiatric disturbances of school-aged children
  • Describe language and literacy deficits of school-aged children with psychiatric impairments
  • List warning signs of language and literacy deficits in school-aged children that warrant a referral to speech-language pathologists for a potential assessment

It focused on the fact that health professionals need to be aware of a significant comorbidity between psychiatric impairments and language disorders, in order to appropriately refer relevant children for potential assessment and treatment services to improve their social and academic outcomes.

This presentation was video recorded and can be accessed in its entirety below as we as on Youtube. You can also access the handouts which accompany the video HERE

References:

  • Angus, L. E., & McLeod, J. (Eds.) (2004). The handbook of narrative and psychotherapy. London, UK: Sage Publications
  • Aram, D.M., Ekelman, B.E., & Nation, J.E. (1984). Preschoolers with language disorders: 10 years later. Journal of Speech and Hearing Research, 27, 232-244.
  • Baltaxe,  C.  A. M., & Simmons,  J.  Q. (1988b).  Pragmatic deficits in  emotionally  disturbed  children  and  adolescents.  In  R. Schiefelbusch & L. Lloyd  (Eds.), Language perspectives (2nd ed.,  pp. 223-253).  Austin, TX: Pro-Ed.
  • Baker,  L.,  & Cantwell,  D. P. (1987b).  A prospective psychiatric  follow-up  of children  with  speech/language  disorders. Journal of the American Academy  of Child and Adolescent Psychiatry, 26, 546-553.
  • Beitchman, J., Cohen, N., Konstantareas, M., & Tannock, R. (Eds.) (1996). Language, learning and behaviour disorders: Developmental, biological and clinical perspectives. Cambridge, NY: Cambridge University Press.
  • Benner, G.J., Nelson, R., & Epstein, M.H. (2002). Language skills of children with EBD: a literature review-emotional and behavioral disorders- statistical data included. Journal of Emotional and Behavioral Disorders, 10, 43-59.
  • Bishop, D. V., & Baird, G. (2001). Parent and teacher report of pragmatic aspects of communication: Use of the Children’s Communication Checklist in a clinical setting. Developmental Medicine & Child Neurology, 43(12), 809–818.
  • Brosnan, M.J. et al. (2004) Gestalt processing in autism: failure to process perceptual relationships and the implications for contextual understanding. The Journal of Child Psychology and Psychiatry, 45, 459–469
  • Bryan, T. (1991). Social problems and learning disabilities. In B. Y. L. Wong (Ed.), Learning about learning disabilities (pp. 195-229). San Diego, CA: Academic Press.
  • Cohen, N. & Barwick, M. (1996) Comorbidity of Language and Social-Emotional Disorders: Comparison of Psychiatric Outpatients and Their Siblings. Journal of Clinical Child Psychology, 25(2), 192-200.
  • Cohen, N., Barwick, M., Horodezky, N., Vallance, D., & Im, N. (1998). Language, achievement, and cognitive processing in psychiatrically disturbed children with previously identified and unsuspected language impairments. Journal of Child Psychology and Psychiatry, 39, 865–877.
  • Cohen, N., & Horodezky, N. (1998). Prevalence of language impairments in psychiatrically referred children at different ages: Preschool to adolescence [Letter to the editor]. Journal of the American Academy of Child and Adolescent Psychiatry, 35, 461–262.
  • Emde, R., Wolf, D., & Oppenheim, D. (Eds.) (2003). Revealing the inner worlds of young children—The MacArthur story stem battery. New York, NY: Oxford University Press.
  • —Gallagher, T. M. (1999). Interrelationships  among children’s language, behavior,  and emotional problems. Topics in  Language Disorders, 19, 1–15.
  • Gardner, R. (1993). Storytelling in psychotherapy with children. London, UK: Jason Aronson.
  • —Gilmour J, et al (2004). Social communication deficits in conduct disorder: a clinical and community study. J Child Psychol Psychiatry45: 967– 78.
  • Goldman, L. G. (1987). Social implications of learning disorders. Reading, Writing and Learning Disabilities, 3, 119-130.
  • —Gurney, D., Gersten, R., Dimino, J. & Carnine, D. (1990). Story grammar: Effective literature instruction for high school students with learning disabilities. Journal of Learning Disabilities, 23, 335-348.
  • Happé, F. G. E. (1994). An Advanced Test of Theory of Mind: Understanding of Story Characters’ Thoughts and Feelings by Able Autistic, Mentally Handicapped and Normal Children and Adults. Journal of Autism and Developmental Disorders, 24, 129-154.
  • Hill, J. W., & Coufal, K. L. (2005). Emotional/behavioral disorders: A retrospective examination of social skills, linguistics, and student outcomes. Communication Disorders Quarterly27(1), 33–46.
  • Hollo, A., Wehby, J. H., & Oliver, R. O.  (2014). Unsuspected language deficits in children with emotional and behavioral disorders: A meta-analysis. Exceptional Children, Vol. 80, No. 2, pp. 169-186.
  • Hummel, L. J., & Prizant, B. M. (1993) A socioemotional perspective for understanding social difficulties of school-age children with language disorders. Language, Speech, and Hearing Services in Schools, 24, 216–224
  • Hyter, Y. D. (2003). Language intervention  for children with emotional or behavioral disorders. Behavioral  Disorders, 29, 65–76.
  • —Hyter, Y. D., et al (2001). Pragmatic language intervention for children with language and emotional/behavioral disorders. Communication Disorders Quarterly, 23(1), 4–16.—
  • Langton,S et al, (2000) Do the eyes have it? Cues to the direction of social attention. Trends in Cognitive Sciences, 4 (2) 50-59.
  • Losh, M., & Capps, L. (2003). Narrative ability in high-functioning children with autism or Asperger’s syndrome. Journal of Autism and Developmental Disorders, 33, 239–251.
  • Nelson, J. R., Benner, G. J., & Cheney, D. (2005).An investigation of the language skills of students with emotional disturbance served in public school settings. Journal of Special Education39, 97–105.
  • Pearce, P. et al. (2014). Use of narratives to assess language disorders in an inpatient pediatric psychiatric population. Clin Child Psychol Psychiatry, 19(2) 244-259.—
  • Prizant, B.M., et al. (1990). Communication disorders and emotional/behavioral disorders in children and adolescents. The Journal of Speech and Hearing Disorders, 55, 179-192.
  • —Semrud-Clikeman, M., & Glass, K. (2010).  The Relation of Humor and Child Development: Social, Adaptive, and Emotional Aspects.  Journal of Child Neurology, 25, 1248-1260.
  • Sanger, D., Maag, J. W., & Shapera, N. R. (1994). Language problems among students with emotional and behavioral disorders. Intervention in School and Clinic30(2), 103–108.
  • —Tallal, P., Dukette, D,. and Curtiss, S (1989) Behavioral Emotional Profiles of Preschool language impaired children. Development and Psychopathology (1) 51-67.
  • Toppelberg, C., & Shapiro, T. (2000). Language disorders: A 10-year research update review. Journal of the American Academy of Child and Adolescent Psychiatry, 39, 143–152.
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Analyzing Narratives of School-Aged Children

Related imageIn the past, I have written about why narrative assessments should be an integral part of all language evaluations.  Today, I’d like to share how I conduct my narrative assessments for comprehensive language testing purposes.

As mentioned previously, for elicitation purposes, I frequently use the books recommended by the SALT Software website, which include: ‘Frog Where Are You?’ by Mercer Mayer, ‘Pookins Gets Her Way‘ and ‘A Porcupine Named Fluffy‘ by  Helen Lester, as well as ‘Dr. DeSoto‘ by William Steig.

Depending on the child’s age, I may read the story to the child or ask the child to read the story to me. One of the reasons why I like to utilize the second option is because it also allows me to ascertain, to some extent, the child’s reading skills in the areas of phonological awareness, phonics, reading fluency, vocabulary, as well as reading comprehension.

After that, I ask the child to retell the story back to me. Once again, depending on the child’s age as well as the estimated extent of his/her language severity, I may show the pictures from the story (and cover up the words) or ask the child to tell the story back to me without the benefit of visual support

Frog Where Are You IntroAs the child is retelling the story I digitally record his/her narrative so I can later transcribe and analyze it.  As the child is retelling the story, I may use verbal prompts such as: ‘What else can you tell me?’ and ‘Can you tell me more?’ to elicit additional information. However, I try not to prompt the child excessively; otherwise, the child is merely producing heavily prompted responses vs. telling me a spontaneous story. I then transcribe the child’s narrative verbatim and include all the pauses, mazes, linguistic reformulations, etc. This is particularly important for the purpose of determining the extent of the child’s word finding difficulties (if any) as well as in order to establish whether the child can retell a story with ease or if s/he struggles significantly during this task.

Here’s an example of what my transcription and analysis look like for first-grade students. Below narrative was produced by a 6-year-old student after I’ve read to her a script of  ‘Frog Where Are You?’ by Mercer Mayer.     Image result for frog where are youAnalysis: This student’s narrative was judged to be immature and decontextualized for her age.  The student’s strengths included the inclusion of all the relevant story grammar elements (for her age), some dialogue (e.g., “Frog! Where are you?”), as well as limited use of perspective taking (e.g., /mad/; /the boy checked that the dog was OK/, etc.). However, her narrative was very difficult to follow due to its limited coherence and cohesion.  The presence of grammatical, syntactic, and pragmatic errors, tangential story production, as well as abrupt and confusing shifts between settings and characters made it further confusing and difficult to follow.

With respect to microstructure, the student’s story was composed of numerous partially produced phrases and simple sentences, had limited temporal markers (e.g., then), and did not contain an adequate number of complex and compound sentences as is appropriate for a child her age (Paul, 1981). Throughout her narrative student inconsistently used anaphoric referencing. She was observed to overuse the pronoun ‘he’, which resulted in lack of clarity regarding which characters – the dog, the boy, or the turtle, she was referring to.  She also at times evidenced pronoun confusion (referred to the boy as ‘it’).

Image result for frog where are youThroughout her narrative, the student also evidenced a number of word finding difficulties manifested via word/phrase repetitions and revisions, use of fillers (e.g., “um”), and pauses, which made her story difficult for listeners to follow. Usage of invented vocabulary (e.g., stairpass) as well as target word substitutions (e.g., /roof/ vs. /cliff/) was also noted (German, 2005).

Summary: A 6-0-year-old student is expected to be at the True Narratives Level I (Hedberg & Westby, 1993), characterized by a well-developed plot, character development, clear sequencing of events, and consistent perspectives which focus around an incident in a story. Weaknesses in the area of narrative ability possess adverse impact on academic performance in the areas of oral language, reading, and written expression. Narrative weaknesses also significantly correlate with social communication deficits (Norbury, Gemmell & Paul, 2014), which this student is currently displaying. In order to facilitate academic and social success in this area, therapeutic intervention is strongly recommended.

Please note that the above analysis is by no means exhaustive. Furthermore, there are numerous other ways one can analyze a narrative sample. Nevertheless, I hope you found the above example useful for your language assessment purposes. Stay tuned for another example of my narrative analysis, to be posted shortly. Meanwhile, feel free to share in the comments section of this post, how you perform narrative assessments and what materials you use for this purpose.

References:

Helpful Smart Speech Therapy Resources: 

 

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Social Communication and Describing Skills: What is the Connection?

When it comes to the identification of social communication deficits, SLPs are in a perpetual search for quick and reliable strategies that can assist us in our quest of valid and reliable confirmation of social communication difficulties. The problem is that in some situations, it is not always functional to conduct a standardized assessment, while in others a standardized assessment may have limited value (e.g., if the test doesn’t assess or limitedly assesses social communication abilities).

So what type of tasks are sensitive to social communication deficits? Quite a few, actually. For starters, various types of narratives are quite sensitive to social communication impairment. From fictional to expository, narrative analysis can go a long way in determining whether the student presents with appropriate sequencing skills, adequate working memory, age-level grammar, and syntax, adequate vocabulary, pragmatics, perspective taking abilities, critical thinking skills, etc. But what if one doesn’t have the time to record and transcribe a narrative retelling, what then? Actually, a modified version of a narrative assessment task can still reveal a great deal about the student’s social communication abilities.

For the purpose of this particular task, I like to use photos depicting complex social communication scenarios. Then I simply ask the student: “Please describe  what is happening in this photo.”  Wait a second you may say: “That’s it? This is way too simple! You can’t possibly determine if someone has social communication deficits based on a single photo description!”

I beg to differ. Here’s an interesting fact about students with social communication deficits. Even the ones with FSIQ in the superior range of functioning (>130) with exceptionally large lexicons, still present with massive deficits when it comes to providing coherent and cohesive descriptions and summaries.

Here are just a few reasons why this happens. Research indicates that students with social communication difficulties present with Gestalt Processing deficits or difficulty “seeing/grasping the big picture”(Happe & Frith, 2006). Rather than focusing on the main idea, they tend to focus on isolated details due to which they have a tendency to provide an incomplete/partial information about visual scenes, books, passages, stories, or movies. As such, despite possessing an impressive lexicon, such students may say about the above picture: “She is drawing” or “They are outside” and omit a number of relevant to the picture details.

Research also confirms that another difficulty that students with impaired social communication abilities present with is assuming perspectives of others (e.g., relating to others, understanding/interpreting their beliefs, thoughts, feelings, etc.) (Kaland et al, 2007). As such they may miss relevant visual clues pertaining to how the boy and girl are feeling, what they are thinking, etc.

Students with social communication deficits also present with anaphoric referencing difficulties.  Rather than referring to individuals in books and pictures by name or gender, they may nonspecifically utilize personal pronouns ‘he’, ‘she’ or ‘they’ to refer to them. Consequently, they may describe the individuals in the above photo as follows: “She is drawing and the boy is looking”; or “They are sitting at the table outside.”

Finally, students with social communication deficits may produce poorly constructed run-on (exceedingly verbose) or fragmented utterances (very brief) lacking in coherence and cohesion to describe the main idea in the above scenario (Frith, 1989).

Of course, by now many of you want to know regarding what constitutes as pragmatically appropriate descriptions for students of varying ages. For that, you can visit a thread in the SLPs for Evidence-Based Practice Group on Facebook entitled: GIANT POST WITH FREE LINKS AND RESOURCES ON THE TOPIC OF TYPICAL SPEECH AND LANGUAGE MILESTONES OF CHILDREN 0-21 YEARS OF AGE  to locate the relevant milestones by age.

Interested in seeing these assessment strategies in action? Download a FREEBIE HERE and see for yourselves.

References:

  • Frith, U., (1989). Autism: Explaining the Enigma. Blackwell, Oxford.
  • Happe, F. & Frith, U. (2006). The weak coherence account: Detail-focused cognitive style in Autism Spectrum Disorders. Journal of Autism and Developmental Disorders, 36 (1), 5-25.
  • Kaland, N., Callesen, K., Moller-Nielsen, A., Mortensen, E. L., & Smith, L. (2007). Performance of children and adolescents with Asperger Syndrome or High-functioning Autism on advanced theory of mind tasks. Journal of Autism and Developmental Disorders. 38, 1112-1123.