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Speech, Language, and Literacy Fun with Karma Wilson’s “Bear” Books

In my previous posts, I’ve shared my thoughts about picture books being an excellent source of materials for assessment and treatment purposes. They can serve as narrative elicitation aids for children of various ages and intellectual abilities, ranging from pre-K through fourth grade.  They are also incredibly effective treatment aids for addressing a variety of speech, language, and literacy goals that extend far beyond narrative production.

In the past, I’ve shared several posts regarding how to incorporate both fiction and nonfiction picture books into contextual language intervention sessions, with the most recent posts describing how I incorporate Helen Lester‘s as well as Julia Cook‘s picture books into therapy sessions.

Today I wanted to share how I implement books by Karma Wilson into my treatment sessions with preschool, kindergarten aged, as well as early elementary aged children.

Though these books are intended for younger children (3-8 years; pre-K-3rd grade), older children (~10 years of age) with significant language and learning difficulties and/or intellectual disabilities can significantly benefit from reading/listening to them and enjoy working with them as well.

Much like Helen Lester’s books, Karma Wilson’s books possess tremendous versatility with respect to what goals can be targeted via their use.

Themes:

  • Ms. Wilson’s books are terrific for discussing a variety of seasonal events and happenings.
    • Bear Feels Sick’, ‘Bear Feels Scared’ and ‘Bear Says Thanks‘ take place in the fall.
    • Bear Can’t Sleep’, ‘Bear Stays Up’, and ‘Bear Snores On‘ take place in the winter.
    • Bear’s New Friend’ and Bear’s Loose Tooth‘ take place in the Spring and Summer.
  • They are great for discussing illness and visits to the dentist (‘Bear Feels Sick’ and Bear’s Loose Tooth’), hibernation ( ‘Bear Snores On‘), holidays such as Thanksgiving and Christmas (‘Bear Says Thanks‘ and ‘Bear Stays Up‘).
  • They are also great for select social themes such as feeling frightened and making new friends (‘Bear Feels Scared’ and ‘Bear’s New Friend’).
  • Finally, ‘Bear Wants More‘ is great for working on nutrition as well as on making healthy food choices, in addition to reviewing a variety of food groups as well as food categories.

Speech Production: Bear books are terrific for the production of a variety of sounds in words in sentences including /r/ in all books, /s/ (‘Bear Feels Sick’, ‘Bear Feels Scared’), /th/ (‘Bear Says Thanks‘ ), etc.

Language: There are numerous language goals that could be formulated based on Karma Wilson’s books including answering concrete and abstract listening comprehension questions, defining story-embedded vocabulary words, producing word associations, synonyms, antonyms, and multiple-meaning words (semantic awareness), formulating compound and complex sentences (syntax), answering predicting and inferencing questions (critical thinking), gauging moods and identifying emotional reactions of characters (social communication), assuming characters’ perspectives and frame of reference (social cognition, theory of mind, etc.), identifying main ideas in text (Gestalt processing) and much, much more.

  • Select Highlights:Vocabulary: For the ages/grades that there’ve written for (3-8 years; pre-K-3rd grade), Ms. Wilson’s books are laden with a wealth of sophisticated vocabulary words such as vale, crooked, trail, lumbers, prowl, howl, spooks, wails, dimmer, squeaks, lair, roam, perch, prepare, trembles, longs, flounce, squawk, cluster, etc. (From the ‘Bear Feels Scared’ book)
  • Social Communication: ‘Bear’s New Friend’, ‘Bear’s Loose Tooth’, and ‘Bear Says Thanks’ are especially terrific for addressing a variety of social themes such as rules of politeness, making new friends (and accepting them for who they are), as well as helping out friends in difficult circumstances.

Literacy: Similar to the above, numerous literacy goals can be formulated based on these books. These include but are not limited to, goals targeting phonological (e.g., rhyming words, counting syllables in words, etc.) and phonemic awareness, phonics, reading fluency and comprehension, spelling, as well as the composition of written responses to story questions.

  • Select Highlights:
    • Phonics: Students can practice reading words containing a variety of syllable shapes as well as decode low-frequency words containing a variety of consonantal clusters (From the ‘Bear Feels Sick’ book: achy, autumn, stuffed, sneezes, heap, wheezes, whiffs, mutters, mumbles, moans, broth, squeezes, whispers, cloth, gopher, coax, herbs, smidgen, fuss, fret, etc. 
    • Morphology: There’s a terrific opportunity to introduce a discussion on simple affixes when using Ms. Wilson’s books to discuss how for example, select suffixes (e.g., –s, -ly, ‘ed, etc.) can change root words.  (From the ‘Bear Stays Up’ book: soundly, stays, gathered, etc.) 
    • Spelling: There is a terrific opportunity for children to practice spelling numerous spelling patterns to solidify their spelling abilities. From the ‘Bear’s New Friend’ book:  -00-, -ee-, -ea-,-oo-, -oe-, -ou-, -le, -ff-, -mm-, -tt-, etc.

As mentioned in previous posts, when working with picture books, I typically spend numerous sessions working with the same book. That is because research indicates that language disordered children require 36 exposures  (as compared with 12 exposures for typically developing children) to learn new words via interactive book reading (Storkel et al, 2016). As such, I discuss vocabulary words before, during, and after the book reading, by asking the children to both repeatedly define and then use selected words in sentences so the students can solidify their knowledge of these words.

I also spent quite a bit of time on macrostructure, particularly on the identification and definitions of story grammar elements as well as having the student match the story grammar picture cards to various portions of the book.

When working with picture books, here are some verbal prompts that I provide to the students with a focus on story Characters and Setting

  • Who are the characters in this story?
  • Where is the setting in this story?
  • Are there multiple settings in this story?
  • What are some emotions the characters experience throughout this story?
  • When did they experience these emotions in the story?
  • How do you think this character is feeling when ____?
    • Why?
    • How do you know?
  • What do you think this character is thinking?
    • Why?
    • How do you know?
  • What are some actions the characters performed throughout the story?
  • What were the results of some of those actions?

Here is a sampling of verbal prompts I provide to the students with a focus on story Sequencing 

  • What happened at the beginning of the story?
    • What words can we use to start a story?
  • What happened next?
  • What happened after that?
  • What happened last?
  • How do we end a story?
  • What was the problem in the story?
  • Was there more than one problem?
    • What happened?
    • Who solved it?
    • How did s/he solve it?
  • Was there adventure in the story?
    • If yes, how did it start and end?

Here is a sampling of verbal prompts I provide to the students with a focus on Critical Thinking Image result for bear says thanks

  • How are these two characters alike/different? (compare/contrast)
  • What do you think will happen next? (predicting)
  •  Why/How do you think ___ happened (inferencing)
  • Why shouldn’t you, couldn’t s/he ____ ? (answering negative questions)
  • What do you thing s/he must do to ______? (problem-solving)
  • How would you solve his problem? (determining solutions)
  • Why is your solution ______ a good solution? (providing justifications)

Here is a small sampling of verbal prompts I provide to the students with a focus on Social Communication and Social Cognition 

  • How would you feel if ____?
  • What is his/her mood at ____ point in the story?
    • How do you know?
  • What is his/her reaction to the ____?
    • How do you know?
  • How does it make you feel that s/he are _____?
  • Can you tell me two completely different results of this character’s actions?
  • What could you say to this character to make him/her feel better?
    • Why?
  • What would you think if?

At times, I also use select Free TPT resources to supplement my sessions with book-related visuals as related materials.

There you have it! Just a few of the reasons why I really like using Karma Wilson’s books for language and literacy treatment purposes with younger children. How about you? Do you use any of her books for treatment purposes? If yes, comment below which ones you use and why do you use them?

References:

Helpful Related Smart Speech Therapy Resources: 

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Speech, Language, and Literacy Fun with Helen Lester’s Picture Books

Picture books are absolutely wonderful for both assessment and treatment purposes! They are terrific as narrative elicitation aids for children of various ages, ranging from pre-K through fourth grade.  They are amazing treatment aids for addressing a variety of speech, language, and literacy goals that extend far beyond narrative production.

There are numerous children books authors whom I absolutely adore (e.g., Karma Wilson, Keiko Kasza, Jez Alborough, M. Christina Butler, etc.). Today I wanted to describe how I implement books by Helen Lester into my treatment sessions with elementary aged children. (For information on how I use her books: “Pookins Gets Her Way” and “A Porcupine Named Fluffy” for narrative elicitation purposes click HERE.)

It is important to note that while Ms. Lester’s books are intended for younger children (4-7 years; pre-K-3rd grade), older children (~10 years of age) with significant language and learning difficulties and/or intellectual disabilities have enjoyed working with them and have significantly benefited from reading/listening to them.

Two reasons why I love using Ms. Lester’s books are versatility and wealth of social themes. To illustrate, “Hooway for Wodney Wat” and “Wodney Wat’s Wobot” are two books about a shy rat who cannot pronounce his ‘r’ sounds. Wodney is hugely embarrassed by that fact, and since there are no speech-language pathologists in Rodentia-land, Wodney spends his recess, hiding inside his jacket, trying to be as inconspicuous as possible. The arrival of a bullying, Miss-know-it-all, Camilla Capybara, brings some unexpected changes into the school’s dynamic, as well as provides Wodney with a very welcome opportunity to shine socially.

Image result for wodney wobotSpeech Production: Not only is there a phenomenal opportunity to use this book with children struggling with /r/ sound production, but it’s also heavily laden with a plethora of /r/ words in a variety of word positions (e.g., rodeo, robot, contraption, barrel, terrific, fur, prickled, bigger, fear, classroom, smarter, sure, etc.).

Language: There are numerous language goals that could be formulated based on Helen Lester’s books including answering concrete and abstract listening comprehension questions, defining story-embedded vocabulary words, producing word associations, synonyms, antonyms, and multiple meaning words (semantic awareness), formulating compound and complex sentences (syntax), answering predicting and inferencing questions (critical thinking), gauging moods and identifying emotional reactions of characters (social communication), assuming characters’ perspectives and frame of reference (social cognition, theory of mind, etc.), identifying main ideas in text (Gestalt processing) and much, much more.

  • Select Highlights:
    • VocabularyFor the ages/grades that there’ve written for (4-7 years; pre-K-3rd grade), Ms. Lester’s books are laden with a wealth of sophisticated vocabulary words such a: curtsy, contraption, trembled, dreary, shudder, varmint, fashionable, rodent, rattled, shenanigans, chanting, surgical, plunked, occasion, exception, etc.
    • Word Play:  Ms. Lester infuses a great deal of humor and wit in her books. Just look at the names of her characters in “A Sheep in Wolf’s Clothing”, which are: Ewetopia, Ewecalyptus, Ewetensil, Heyewe, Rambunctious, Ramshackle, and Ramplestiltskin.  Her ovine characters live in Pastureland and attend Woolyones’ Costume Balls while her porcine characters eat in a trough-a-teria.  
    • Social Communication: Many of Ms. Lester’s book themes focus on the celebration of neurodiversity (e.g., “Tacky the Penguin”), learning valuable life lessons (e.g., “Me First”), addressing one’s fears (e.g., “Something Might Happen”) and feeling uncomfortable in own skin (e.g., “A Sheep in Wolf’s Clothing”), etc.

Literacy: Similar to the above, numerous literacy goals can be formulated based on these books. These include but are not limited to, goals targeting phonological (e.g., rhyming words, counting syllables in words, etc.) and phonemic awareness, phonics, reading fluency and comprehension, spelling, as well as the composition of written responses to story questions.

  • Image result for princess penelope's parrotSelect Highlights:
    • Phonics: Students can practice reading words containing a variety of syllable shapes as well as decode low-frequency words containing a variety of consonantal clusters (Examples from “Princess Penelope’s Parrot” are:  hissed, parrot, buzzard, horribly, flicked, plucked, field,  flapped, silence, Percival, velvet, cloak, caviar, clippy-clopped, poofiest, impressed, expensive, galloping, gulped, bouquet, squawked, etc.)
    • Morphology: There’s a terrific opportunity to introduce a discussion on roots and affixes when using Ms. Lester’s books to discuss how select prefixes and suffixes (e.g., ante-, -able, -ive, -ion, etc.) can significantly increase word sophistication of numerous root words (e.g., impressive, exception, etc.)
    • Spelling: There is a terrific opportunity for children to practice spelling numerous spelling patterns to solidify their spelling abilities, including -ee-, -ea-, -ou-,-oo-, -oa-, -ui-, -ck, -tt-, -rr-, -ss-, -cc-, etc.

When working with picture books, I typically spend numerous sessions working with the same book. That is because research indicates that language disordered children require 36 exposures  (as compared with 12 exposures for typically developing children) to learn new words via interactive book reading (Storkel et al, 2016). As such, I discuss vocabulary words before, during, and after the book reading, by asking the children to both repeatedly define and then use selected words in sentences so the students can solidify their knowledge of these words.

I also spent quite a bit of time on macrostructure, particularly on the identification and definitions of story grammar elements as well as having the student match the story grammar picture cards to various portions of the book.

When working with picture books, here are some verbal prompts that I provide to the students with a focus on story Characters and Setting

  • Who are the characters in this story?
  • Where is the setting in this story?
  • Are there multiple settings in this story?
  • What are some emotions the characters experience throughout this story?
  • When did they experience these emotions in the story?
  • How do you think this character is feeling when ____?
    • Why?
    • How do you know?
  • What do you think this character is thinking?
    • Why?
    • How do you know?
  • What are some actions the characters performed throughout the story?
  • What were the results of some of those actions?

Here is a sampling of verbal prompts I provide to the students with a focus on story Sequencing 

  • What happened at the beginning of the story?
    • What words can we use to start a story?
  • What happened next?
  • What happened after that?
  • What happened last?
  • How do we end a story?
  • What was the problem in the story?
  • Was there more than one problem?
    • What happened?
    • Who solved it?
    • How did s/he solve it?
  • Was there adventure in the story?
    • If yes, how did it start and end?

Here is a sampling of verbal prompts I provide to the students with a focus on Critical Thinking 

  • How are these two characters alike/different? (compare/contrast)
  • What do you think will happen next? (predicting)
  •  Why/How do you think ___ happened (inferencing)
  • Why shouldn’t you, couldn’t s/he ____ ? (answering negative questions)
  • What do you thing s/he must do to ______? (problem-solving)
  • How would you solve his problem? (determining solutions)
  • Why is your solution ______ a good solution? (providing justifications)

Image result for tacky penguinHere is a small sampling of verbal prompts I provide to the students with a focus on Social Communication and Social Cognition 

  • How would you feel if ____?
  • What is his/her mood at ____ point in the story?
    • How do you know?
  • What is his/her reaction to the ____?
    • How do you know?
  • How does it make you feel that s/he are _____?
  • Can you tell me two completely different results of this character’s actions?
  • What could you say to this character to make him/her feel better?
    • Why?
  • What would you think if?

At times, I also use Ms. Lester’s guide for the following books: ‘It Wasn’t My Fault’, ‘Listen, Buddy’, ‘Me First’, and ‘A Porcupine Named Fluffy‘ to supplement my therapy sessions goals. It provides additional helpful ideas and suggestions on how her books can be further used in both therapy room as well as the classroom.

Finally, one of the major reasons why I really like Ms. Lester’s books is because some of them are ‘art imitating life’ and do not necessarily end up in a ‘traditional’ happily ever after. To, illustrate, “Princess Penelope’s Parrot” is a book about a spoiled princess who cannot get her new parrot to talk, even after threatening it and calling it insulting names. When Prince Percival comes courting, the parrot takes his hilarious revenge on Princess Penelope, and the parrot and Prince Percival do end up living happily ever after. However, Princess Penelope quickly gets over her embarrassment and goes back to her unrepentantly spoiled way of acting.

There you have it! Just a few of my many reasons why I adore using Helen Lester’s books for language and literacy treatment purposes. How about you? Do you use any of her books for assessment and treatment purposes? If yes, comment below which ones you use and why do you use them?

References:

Helpful Related Smart Speech Therapy Resources: 

 

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Review and Giveaway Wh-Questions Island

Today I am reviewing WH Questions Island by Virtual Speech Center.  The app was originally released a few years ago but since I recently reviewed their “Questions Hunt“, and because this app was recently updated, I was very interested in comparing how the two stack up.

This app contains a total of 480 what, where, who, when, why, and how questions, which are organized in 4 sets each consisting of 80 questions.

WH Questions Island Settings

You can customize the “Settings” in the following way :

  • Alternative Count – use the “-” / “+” buttons to choose how many turns each student gets in group therapy
  • Audio – control the verbal presentation during sessions
  • Auto/ Random Paging decide which option words best for you
  • Show/Hide Instructions

IMG_0507

New app improvements include:

  • Ability to randomize activities in addition to pages
  • Hide score during the session
  • Ability to disable score sounds
  • Ability to change score sounds
  • Ability to update user
  • UI improvements

The app consists of two activity types – flashcards and board game and includes both receptive and expressive modes. In receptive mode, children listen to wh-questions and select the correct answer when given three written choices they can also hear auditorily. In the expressive mode, children need to verbally answer wh-questions without any visual/written cues.

When you are ready, start by selecting the avatar for your student/s, the mode (R or E) as well as the type of questions you’d like for them to target.

Flashcard Mode:

Here is an example of “when” questions in the receptive mode.

IMG_0509

Here is an example of “why” questions and expressive mode.

IMG_0508

Here is an example of “where” questions in the receptive mode.
IMG_0510

And this is an example of “why” questions in the expressive mode.

IMG_0511

Board Game Mode: 

Contains cute little pirate animals, treasure, and question marks. You begin by tapping on the spinner in the middle of the board, after which the player’s token will move spaces (between 1-4). If the student lands on a question mark, a question flashcard will appear to answer. If the student lands on a crab or crocodile space, they go backward one space. If the student lands on a parrot or butterfly space, they go forward one space. If the student lands on a pot of gold, an animation will play.

In both flashcard/board game mode, once the student completes the designated set of questions/reaches the end of the game, his/her results can be accessed in the report center.

Overall, I think that this is a useful app for working on answering WH questions with and without written multiple choice answers. I particularly like the fact that it uses real life photographs in conjunction with the questions as I think they may be more salient to children with cognitive impairments.

You can find this app for 9.99 in the iTunes Store or you can enter my Rafflecopter giveaway below for a chance to win your own FREE copy!

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