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Test Review: Clinical Assessment of Pragmatics (CAPs)

Today due to popular demand I am reviewing the Clinical Assessment of Pragmatics (CAPs) for children and young adults ages 7 – 18, developed by the Lavi Institute. Readers of this blog are familiar with the fact that I specialize in working with children diagnosed with psychiatric impairments and behavioral and emotional difficulties. They are also aware that I am constantly on the lookout for good quality social communication assessments due to a notorious dearth of good quality instruments in this area of language.

I must admit when I first learned about the existence of CAPs in May 2018, I was definitely interested but quite cautious. Many standardized tests assessing pragmatics and social language contain notable psychometric limitations due to the inclusion of children with social and pragmatic difficulties into the normative sample. This, in turn, tends to overinflate test scores and produce false negatives (a belief that the child does not possess a social communication impairment due to receiving average scores on the test).  Furthermore, tests of pragmatics such as Test of Pragmatic Language -2 (TOPL-2) tend to primarily assess the child’s knowledge of rules of politeness and knowing the right thing to say under a particular set of circumstances and as such are of limited value when it comes to gauging the child’s ability to truly assume perspectives and adequately showcase social cognitive abilities.

The CAPs is a unique test as compared to others with a similar purpose, due to the fact that the testing administration (which can take between 45-60 mins) is conducted exclusively via videos. The CAPs consists of 6 subtests and 3 indices.

Subtests (You can read up more on the comparison of the CAPs subtests HERE ):

Instrumental Performance Appraisal (IPA) subtest (Awareness of Basic Social Routines) is a relatively straightforward subtest which examines the student’s ability to be polite in basic social contexts. The student is asked to first identify “if anything went wrong in the presented scenario?” After that, the student is asked to explain, what went wrong and how s/he knows? Targeted structures include greeting and closure, making requests, responding to gratitude, requesting help, answering phone calls, asking for directions, asking permission, etc.  Goals: can the student discern between appropriate and inappropriate language and then provide a verbal rationale in a coherent and cohesive manner.

Score types: (2) correct identification of problem or lack of thereof + correct justification; (1) correct identification but incorrect rationale; (0) incorrect identification.

Social Context Appraisal (SCA) subtest (Reading Context Cues) requires the student to engage in effective perspective taking (assume mutual vs. individual perspectives) by identifying sarcasm, irony, and figurative language in the presented video scenarios. The student is then asked to provide a coherent and cohesive verbal explanation and effectively justify own response.

Score types: (3) correct identification of the problem or lack of thereof + identification of idiom or sarcasm + reference to both characters actions; (2) correct identification of the problem or lack of thereof + identification of idiom or sarcasm + reference to one character’s actions; (1) correct identification of the problem or lack of thereof but an inability to verbalize the problem in the situation; (0) for incorrect identification.

Paralinguistic Decoding (PD) subtest (Reading Nonverbal Cues) assesses the students’ ability to notice and interpret micro-expressions and nonverbal language.  The aim of this subtest is to have the students grasp what went wrong vs. well in the presented videos, assume mutual perspectives,  as well as verbally justify their responses providing adequate and relevant details.

Score types: (3) correct identification of the problem or lack of thereof + explanation of situation + reference to both characters facial expressions and tone of voices; (2) correct identification of the problem or lack of thereof + explanation of situation  + reference to one character’s facial expression and tone of voice  (1) correct identification of the problem or lack of thereof but an inability to explain actions and/or nonverbal body language; (0) for incorrect identification.

Instrumental Performance (IP) subtest (Use of Social Routine Language) assesses the student’s ability to use rules of politeness (e.g., make requests, respond to gratitude, answer phone calls, etc.) by providing adequately supportive responses using first-person perspectives relevant to various social situations.

Score types: (2) appropriate introduction + use of supportive statements; (1) appropriate introduction without the use of supportive statements; (0) inappropriate intent of message or use of impolite language 

Affective Expression (AE) subtest (Expressing Emotions) assesses the student’s ability to effectively display empathy, gratitude, praise, apology, etc., towards affected peers in the video scenario. It requires the usage of relevant facial expressions, tone of voice, as well as stating appropriately supportive comments.

Score types: (2) expresses empathy, praise, apology, gratitude, etc. along with supportive statements +appropriate facial and prosodic affect; (1) expresses empathy, praise, apology, gratitude, etc. + appropriate facial and prosodic affect without relevant supportive statements;   (0) provides an approrpiate response but lacks adequate prosody and affect, or message contains inappropriate intent 

Paralinguistic Signals (PS) subtest (Using Nonverbal Cues)assesses the student’s ability to appropriately use facial expressions, gestures, and prosody (act out vs. recognize and interpret facial expression and gestures). This includes showing appropriate expression of empathy, frustration, alarm, excitement, gratitude, etc., exhibiting relevant inflection in prosody as well as showing appropriate to the situation facial expression (vs. having inappropriate message intent, be monotone, have flat affect, etc.)

Score types: (2) appropriately expresses urgency, empathy apology, etc. +exhibits inflections in prosody and shows relevant facial expressions; (1) appropriately expresses urgency, empathy apology, etc. +exhibits inflections in prosody without showing relevant facial expressions  (0)   inappropriate intent of message or monotone prosody. 

Indices (information regarding the student’s pragmatic proficiency):

  1. Pragmatic Judgement (Sum of IPA, SCA & PD scaled scores)
  2. Pragmatic Performance (Sum of IP, AE & PS scaled scores)
  3. Paralinguistic (Sum of PD, AE & PS scaled scores)

Based on the administration of this test the following goals can be formulated for remediation purposes:

Long Term Goal: Student will improve pragmatic abilities for social and academic purposes

Short-Term Objectives: 

  1. The student will verbally identify instances of politeness or impoliteness in presented social routines
  2. The student will provide relevant justifications explaining which aspects of the presented scenarios were appropriate vs. inappropriate
  3. The student will verbally identify sarcasm, irony, and figurative language in presented social scenarios
  4. The student will effectively explain sarcasm, irony, and figurative language in presented social scenarios
  5. The student will verbally interpret micro-expressions and nonverbal body language  (e.g., they feel disgusted; the girl is smirking, the man’s hands are crossed, etc.)
  6. The student will effectively use rules of politeness and provide adequately supportive responses using first-person perspectives pertaining to various aspects of social scenarios
  7. The student will display a range of emotional expressions via the use of relevant facial expressions, tone of voice when providing supporting responses
  8. The student will state appropriately supportive comments regarding relevant social scenarios
  9. The student will use a range of facial expressions, gestures, and relevant prosody pertinent to the provided social scenarios

Furthermore, this test comes with a Contextualized Assessment of Pragmatics Checklist as well as a downloadable  Free Report Template.

Multiple videos posted by the Lavi Institute showcasing individual subtest administration can be accessed by clicking on the above-highlighted links as well as on YouTube.

Psychometrics: the normative sample consisted of 914 individuals out of which 137 (or 15%)  included individuals with atypical language development: ASD: N-18; SLI: N-27; Other (Learning Disabilities): N-92.

Excellent Sensitivity and Specificity Cut Scores (at 1, 1.5 & 2 SD) for clients with ASD ONLY:

Impressions:  To date, I have used this assessment with only 3 students. As such, expect multiple updates of this post as I continue to document how well it suited to identify children with social communication difficulties. Below are my preliminary impressions on how well this test is suited for children with varying pragmatic profiles.

A. Initial Assessment: 8-3-year-old male diagnosed with Autism

The CAPs had captured the student’s display of pragmatic deficits extremely well.  It was able to highlight the student’s relative strengths as well as pervasive pragmatic needs.  Based on the results of the CAPs, I was able to generate relevant pragmatic goals to target with this student in therapy.

B.  Yearly Reassessment: 8-11-year-old diagnosed with Anxiety:

I definitely had some trepidation about how well the CAPs will be able to capture this student’s pragmatic difficulties. This student was initially assessed via the Social Language Development Test-Elementary (SLDTE), which did show deficits in the areas of making inferences, interpersonal negotiation, as well as multiple interpretations of social situations. However, subsequent to his assessment that student did exceptionally well in treatment and had improved exponentially. While I knew that the student was not done with the treatment quite yet, I wasn’t certain if the CAPs was capable of picking up his subtle social pragmatic difficulties. Much to my surprise, the CAPs was effective in highlighting my student’s difficulties on a number of subtests including those pertaining to the effective reading and use of context and nonverbal cues, comprehension  and interpretation of irony and sarcasm, effective support of peers via a variety of statements relevant to social situations (coherent and cohesive sentence formulation given relevant details), as well as use of relevant prosody, facial expressions, tone of voice, and nonverbal cues.

C. Initial Assessment: 11-year-old student with suspected language and literacy deficits 

This was definitely the trickiest assessment subject from my small sample. Based on the collected data I suspected the student had social communication deficits, however, given his relative strengths in a variety of areas and that the fact that no one had previously brought it up, I truly did not anticipate that CAPs will effectively and accurately identify his pragmatic needs. As expected, the student did quite well on that “easier” subtests of the CAPs: (IPA, IP, and AE). However, I was very pleasantly surprised that the CAPs had accurately picked up on the fact that the student presented with difficulty reading both context and nonverbal cues as well as using nonverbal cues to effectively answer the presented questions.

Summary: While my sample of subjects has been quite small to date, I fully intend to continue using the CAPs with students of varying ages with varying diagnoses in order to continue refining profile of students who will significantly benefit from CAPs administration for assessment and reassessment purposes.

MISC:

Current Cost $149

Where to purchase: Effective 1/7/19 on the WPS Publishing website

There you have it! These are my impressions of using the CAPs in my settings. How about you? Have you used this test with any of your students to date? If yes, what are some strengths and limitations you are noticing?

 

 

 

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ASHA Web Chat: Strategies for Serving Children with Language Impairment and Emotional/Behavioral Disorders

Yesterday, myself, Abby Rozenberg and Timothy Kowalski, along with Jaumeiko Coleman, ex-officio (ASHA staff liaison) for SIG 16, participated in a FREE 2-hour-web chat moderated by Jill Straniero, entitled “Strategies for Serving Children with Language Impairment and Emotional/Behavioral Disorders“.

During the course of those two hours, we answered questions on a variety of topics pertaining to the assessment and intervention needs of children with diagnosed and suspected psychiatric disorders.    Topics included: comorbidity of language and psychiatric impairments, the connection between behavior and communication, formal and informal social communication testing, the effect of self-regulation on language and behavior, and much much more. If you are interested in this topic or are working with children diagnosed with emotional and behavioral disturbances, please know that the complete transcript of this web chat is available HERE for FREE.  Beyond the answers to a variety of presented questions, it contains links to resource websites, YouTube videos, blog posts, research articles, as well as informational groups on Facebook.

For those who were unable to participate in yesterday’s web chat, feel free to post your questions in the comments section below,  and I will be happy to provide some assistance to you.

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What are They Trying To Say? Interpreting Music Lyrics for Figurative Language Acquisition Purposes

Image result for music lyricsIn my last post, I described how I use obscurely worded newspaper headlines to improve my students’ interpretation of ambiguous and figurative language.  Today, I wanted to further delve into this topic by describing the utility of interpreting music lyrics for language therapy purposes. I really like using music lyrics for language treatment purposes. Not only do my students and I get to listen to really cool music, but we also get an opportunity to define a variety of literary devices (e.g., hyperboles, similes, metaphors, etc.) as well as identify them and interpret their meaning in music lyrics.

Lyrics interpretation is a complex task.   There is definitely a myriad of ways one can interpret the lyrics of a particular song, the sky is the limit!  As such, I am always mindful of the complexity of this task and typically tend to target this as a language goal with my adolescent students.  I don’t always target the interpretation of lyrics in the entire song, especially because many great recording artists use quite a healthy amount of profanities in their lyrics that I do not necessarily want the students to hear. As such, I may play portions of songs or present clean versions of lyrics to my students for their interpretation. Prior to choosing particular lyrics I typically review the following wikiHow article: How to Figure Out a Song’s Meaning as it provides some helpful advice to students regarding the parameters which they could use to analyze music lyrics.

Typically, I like to approach language goals pertaining to music lyrics interpretation, thematically. So, if I am working with my students on the identification of particular literary devices/figurative language, I will use that opportunity to introduce a variety of songs containing that particular literary device.

To illustrate, if my students are working on the identification and description of 1hyperboles, I will locate a number of songs containing hyperboles for them to identify and utilize in a variety of contexts.

Working on 2alliteration? There are plenty of songs available on this topic.

Looking for songs that utilize 3similes? There are literally so many of them! You can find them HERE, HERE, and HERE for starters.

How about 4metaphors? Sure thing!Image result for metaphors and similes

5Personification? Oh, yes, plenty of sources!

6Onomatopoeia?  Ono mono, no problem! 

Finally, how about some 7 irony? Definitely got it!

Now that we have identified just some of the potential sources we can use for this purpose,  let me describe how I address this goal with my students. Prior to initiating a unit on the interpretation of music lyrics, I typically ensure that my students are highly familiar with the expected literary terms (e.g., similes, metaphors, personification, alliteration, onomatopoeia, hyperboles, as well as irony).  We use a variety of worksheets at first, then find these terms in a variety of texts, and later transition to using the above terms in conversational exchanges via oral and written sentence formulation tasks.

Some basic questions to ask the students:

  • What is figurative language?
  • What are the most common figurative language types? (metaphors and similes)
  • What is a metaphor? (definition)
  • Can you give me some examples of metaphors?
  • What is a simile? (definition)
  • Can you give me some examples of similes?
  • What are some other examples of figurative language?  (ask for definitions and examples of personification, alliteration etc.)
  • Why do songwriters use figurative language in their lyrics?

After ensuring that my students have the solid knowledge of definitions and can use examples of these terms in sentences, I introduce them to the mutually selected music videos and ask them whether they know what the lyrics signify. Many of my students frequently report that while they had memorized some of the lyrics in the past, they’ve never actually thought about their meaning.  After listening to a portion of the video/audio I then present the words in writing and ask them to answer a few questions.

For example, after listening to “Tik Tok” by Ke$ha I will ask them: “What type of figurative language is Ke$ha using here?’

“Tick! Tock! on the clock but the party don’t stop”. 

What makes it __________?

Image result for lyric writingIn addition to defining the literary terms, locating their examples of music lyrics, using them in sentences, etc. there are numerous other extension activities that SLPs could use for the purpose of targeting this goal.  One suggestion is to ask the students to create their own simple music lyrics utilizing figurative language and then have them explain their songwriting process.

There are numerous fun and educational activities which can be targeted via this goal with the help of the selected FREE resources below. So if you didn’t get a chance to target this therapy goal in sessions, give it a try. It definitely goes a long way toward improving our students metacognitive and metalinguistic abilities for social and academic purposes.

Helpful FREE Online Resources:

Helpful FREE TPT Worksheets

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Have I Got This Right? Developing Self-Questioning to Improve Metacognitive and Metalinguistic Skills

Image result for ambiguousMany of my students with Developmental Language Disorders (DLD) lack insight and have poorly developed metalinguistic (the ability to think about and discuss language) and metacognitive (think about and reflect upon own thinking) skills. This, of course, creates a significant challenge for them in both social and academic settings. Not only do they have a poorly developed inner dialogue for critical thinking purposes but they also because they present with significant self-monitoring and self-correcting challenges during speaking and reading tasks.

There are numerous therapeutic goals suitable for improving metalinguistic and metacognitive abilities for social and academic purposes. These include repairing communicative breakdowns, adjusting tone of voice to different audiences, repairing syntactically, pragmatically, and semantically incorrect sentences, producing definitions of various figurative language expressions, and much, much more. However, there is one goal, which both my students and I find particularly useful, and fun, for this purpose and that is the interpretation of ambiguously worded sentences.

Image result for amphibologySyntactic ambiguity, or amphibology, occurs when a sentence could be interpreted by the listener in a variety of ways due to its ambiguous structure.  Typically, this occurs not due to the range of meanings of single words in a sentence (lexical ambiguity), but rather due to the relationship between the words and clauses in the presented sentence.

This deceptively simple-looking task is actually far more complex than the students realize.  It requires a solid vocabulary base as well as good manipulation of language in order for the students to formulate coherent and cohesive explanations that do not utilize and reuse too many parts of the original ambiguously worded sentence.

Very generally speaking, sentence ambiguities can be local or global.  If a sentence is locally ambiguous (aka “garden path”), the listeners’ confusion will be cleared once they heard the entire sentence.   However, if a sentence is globally ambiguous, then it will continue to remain ambiguous even after its heard in its entirety.

Lets’ take a look at an example of an ambiguously worded global phrase, which I’ve read, while walking on the beach during my vacation: ‘Octopus Boarding’.  Seems innocuous enough, right?  Well, as adults we can immediately come up with a myriad of explanations.  Perhaps that particular spot was a place where people boarded up their octopedes into boxes.  Perhaps, the sign indicated that this was a boarding house for octopedes where they could obtain room and board. Still, another explanation is that this is where octopedes went to boarding school, and so on and so forth.  By now you are probably mildly intrigued and would like to find out what the sign actually meant.  In this particular case, it was an indication that this was a location for a boarding of the catamaran entitled, you guessed it, Octopus!

Of course, when I presented the written text (without the picture) to my 13-year-old adolescent students, they had an incredibly difficult time generating even one, much less several explanations of what this ambiguously-phrased statement actually meant. This, of course, gave me the idea not only to have them work on this goal but to A. create a list of globally syntactically ambiguously worded sentences; b. locate websites containing many more ambiguously worded sentences, so I could share them with my fellow SLPs.  A word of caution, though! Make sure to screen the below sentences and website links very carefully in order to determine their suitability for your students in terms of complexity as well as subject matter (use of profanities; adult subject matter, etc.).

Below are 20 ambiguously worded newspaper and advertisement headlines for your use from a variety of online sources.Image result for ambiguous sentences

  1. The professor said on Monday he would give an exam.
  2. The chicken is ready to eat.
  3. The burglar threatened the student with the knife.
  4. Visiting relatives can be boring.
  5. I saw the man with the binoculars 
  6. Look at that bird with one eye 
  7. I watched her duck 
  8. The peasants are revolting 
  9. I saw a man on a hill with a telescope.
  10. He fed her cat food.
  11. Police helps dog bite victim
  12.  Enraged cow injures farmer with ax
  13. Court to try shooting defendant
  14. Stolen painting found by tree
  15. Two sisters reunited after 18 years in checkout counter
  16. Killer sentenced to die for second time in 10 years
  17. Most parents and doctors trust Tylenol
  18. Come meet our new French pastry chef
  19. Robert went to the bank. 
  20. I shot an elephant in my pajamas.

You can find hundreds more ambiguously worded sentences in the below links.

  1. Ambiguous newspaper headlines  Catanduanes Tribune (32 sentences)
  2. Ambiguous Headlines   Fun with Words Website (33 sentences)
  3. Actual Newspaper Headlines davidvanalstyne.com website (~100 sentences; *contains adult subject matter)
  4. Linguistic Humor Headlines  Univ. of Penn. Dept of Linguistics (~120 sentences)
  5. Bonus: Ambiguous words  Dillfrog Muse rhyming dictionary, which happens to be a really cool site  which you should absolutely check out.

Interested in creating your own ambiguous sentences? Here is some quick advice, use a telegraphic style and omit the copulas, which will, in turn, create a syntactic ambiguity.

Image result for goalsSo now that they have this plethora of sentences to choose from, here’s a quick example of how I approach ambiguous sentence interpretation in my sessions. First, I provide the students with a definition and explain that these sentences could mean different things depending on their context. Then, I provide a few examples of ambiguously worded sentences and generate clear, coherent and cohesive explanations regarding their different meanings.

For example, let’s use sentence # 18 on my list: ‘Robert went to the bank’.  Here I may explain, that ‘Robert went to visit his financial institution where he keeps his money‘, or ‘Robert went to the bank of a river, perhaps to do some fishing‘. Of course, the language that I use with my students varies with their age and level of cognitive and linguistic abilities. I may use the word ‘financial institution’, with a 14-year-old, but use the explanation, ‘a bank where Robert keeps his money’ with a 10-year-old.

Then I provide my students with select sentences (I try to arrange them in a hierarchy from simple to more complex) and ask them to generate their own explanations of what the sentences could potentially mean.  I also make sure to provide them with plenty of prompts, cues, as well as scaffolding to ensure that their experience success in their explanations.

Image result for read it write it learn itHowever, I don’t just stop with the oral portion of this goal. Its literacy-based extensions include having the students read the sentences rather than have me present them orally. Furthermore, once the students have provided me with two satisfactory explanations of the presented ambiguous sentence, I ask them to select at least one explanation and clarify it in writing, so the meaning of the sentence becomes clear.

I find that this goal goes a long way in promoting my students metalinguistic and metacognitive abilities, deepens their insight into their own strengths and weaknesses, as well as facilitates critical thinking in the form of constant self-questioning as well as the evaluation of self-produced information.  Even students as young as 8-9 years of age can benefit significantly from this goal if adapted correctly to meet their linguistic needs.

So give it a try, and let me know what you think!

 

 

 

 

 

 

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Updated: What Does “Their Social Skills Are Just Fine” Really Means When it Comes to Children with Language Impairment

As a frequent participant in a variety of speech pathology forums I’ve read through countless “mini scenarios” of SLPs asking for advice regarding various aspects of therapy service provision for children with average IQ and language impairment (characterized by weaknesses in the area of listening comprehension, language processing, vocabulary acquisition, sentence formulation, as well as conversational development.)

When I ask the following question: “What about their social skills difficulties?” I invariably receive the following answer: “Their social skills are just fine!” When I ask: “How was their social competence assessed?” I am invariably told: “The teachers don’t have any complaints, their eye contact is good, and they can keep up with conversations.”

As a result of seeing these and similar statements over and over again from a number of professionals, I decided to write a blog post on this topic due to a certain degree of frustration on my part.

The first concept taught in typical language development classes in undergrad is the fact that language is composed of three areas: Content, Form, and Use. Basically speaking Content refers to conveying coherent and cohesive messages to others, Form refers to grammatically and syntactically correct expression of language, while Use refers to appropriate social pragmatic interactions with the public at large (Bloom & Lahey, 1978). In other words these three areas are interconnected and difficulties will not be exclusively relegated to one area only.

This is further supported by research which indicates that children with language impairment (what many clinicians know as Developmental Language Disorders or DLD, formerly known as Specific Language Impairment or SLI) are actually impaired in numerous aspects of language including phonology, morphology, syntax, etc.

Furthermore, research into language development and disorders has revealed that there is no such category as expressive language disorder alone. In other words, if there are expressive language deficits, you will most certainly find receptive language deficits if you look carefully enough.  In his seminal article entitled: “Is Expressive Language Disorder an Accurate Diagnostic Category?” Laurence Leondard (2009) concluded that “deficits in language expression are typically accompanied by limitations in language knowledge or difficulties processing language input“.

So now that we know that language deficits are diffused and not isolated (e.g., impaired vocabulary/grammar only), let us discuss how social skills/social competence deficits fit into this picture.

One set of researchers who has been studying the construct of social skills in children with DLD for the past several decades are Bonnie Brinton and Martin Fujiki.  In some of their earlier articles in the 90s they found evidence that children with DLD manifested pragmatic difficulties in conversational contexts with partners and were unable to adequately adjust to the needs of others in social interactions (Brinton, & Fujiki, 1993: Brinton & Fujiki,  1995; Brinton, Fujiki,  & Powell, 1997; Fujiki & Brinton, 1994: Fujiki, Brinton  & Todd 1996).

Later, Brinton’s and Fujiki’s work expanded beyond the pragmatic interactions to focus on the concept of social competence of children with language impairments. For those unfamiliar with this term, social competence is a complex, multidimensional concept composed of successful co-interaction of social, emotional, cognitive as well as behavioral factors, resulting in successful social adaptation (Semrud-Clikeman, 2007).

Brinton and Fujiki’s later studies found that children with language impairments were less accepted by peers, had poorer friendships, were perceived by teachers as being more withdrawn (as compared to peers) as well as presented with poor emotional competence and emotional intelligence (Brinton & Fujiki, 2012; Fujiki, Spackman, Brinton, & Illig, 2008; Spackman, Fujiki, Brinton, Nelson, & Allen, 2005).

Studies by other authors found that children with language impairments also present with impaired abstract emotion comprehension (Ford & Milosky, 2003).

In addition, researchers also found that the social competence of language impaired children is affected from a very early age. To illustrate, Longobardi, Spataro, Frigerio & Rescorla, 2015, found that young children (2+ years of age) with delayed language development (who produced fewer than 50 words) exhibited lower social abilities, compared to age-matched peers.

What does this mean? 

Research unequivocally indicates that children with language impairment or DLD, also present with concomitant social communication difficulties, which if left untreated will significantly adversely affect their academic outcomes as well as future life success. It is important to note that due to the varying the nature of social communication deficits (internalizing versus externalizing manifestations) many social communication deficits will be missed without the administration of appropriate social pragmatic language assessments.  It is also important to note that presently social pragmatic assessments ARE NOT routinely administered in numerous school settings as part of comprehensive language assessments.

Consequently, if a student presents with language impairment and the prevailing teacher/parental belief is that his/her social skills are “just fine”, it is important to support this with relevant data based on comprehensive formal and informal battery of social communication assessments in order to justify the above statement with all due veracity.

References:

  • Bloom, L & Lahey, M. (1978) Language development and language disorders.New York, Wiley.
  • Brinton, B., & Fujiki, M. (1993).  Language, social skills, and socioemotional behavior.  Language, Speech, and Hearing Services in Schools, 24, 194-198.
  • Brinton, B. & Fujiki, M. (1995). Intervention with conversational skills.  In M. E. Fey, J. Windsor, & S. Warren, (Eds.) Communication intervention for school-age children (pp. 183-212).  Baltimore: Paul H. Brookes.
  • Brinton, B., Fujiki, M., & Powell, J. M. (1997).  The ability of children with language impairment to manipulate topic in a structured task.  Language, Speech, and Hearing Services in Schools, 28, 3-11.
  • Brinton B., & Fujiki, M. (2012). Social and affective factors in children with language impairment. Implications for literacy learning. In C. A. Stone, E. R. Silliman, B. J. Ehren, & K. Apel (Eds.), Handbook of language and literacy: Development and disorders (2nd Ed.). New York, NY: Guilford.
  • Ford, J., & Milosky, L. (2003). Inferring emotional reactions in social situations: Differences in children with language impairment. Journal of Speech, Language, and Hearing Research, 46(1), 21-30.
  • Fujiki, M. & Brinton, B. (1994).  The social competence of children with specific language impairment.  In M. L. Rice & R. Watkins (Eds.) Language intervention with children with specific language impairment (pp. 123-143). Baltimore: Paul H. Brookes.
  • Fujiki, M., Brinton, B., & Todd, C.M. (1996).  Social skills of children with specific language impairment.  Language, Speech, and Hearing Services in Schools, 27, 195-202.
  • Fujiki, M., Spackman, M. P., Brinton, B., & Illig, T. (2008). Ability of children with language impairment to understand emotion conveyed by prosody in a narrative passage. International Journal of Language & Communication Disorders, 43(3), 330-345
  • Longobardi, E, Spataro, P, Frigerio A & Rescorla, L (2015) Language and social competence in typically developing children and late talkers between 18 and 35 months of age. Early Child Development and Care.
  • Semrud-Clikeman, M. (2007). Social competence in children. New York, NY: Springer.

Helpful Smart Speech Resources Related to Assessment and Treatment of Social Pragmatic Disorders 

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Using Picture Books to Teach Children That It’s OK to Make Mistakes and Take Risks

Image result for children making mistakesThose of you who follow my blog know that in my primary job as an SLP working for a psychiatric hospital, I assess and treat language and literacy impaired students with significant emotional and behavioral disturbances. I often do so via the aid of picture books (click HERE for my previous posts on this topic) dealing with a variety of social communication topics.

Two themes that consistently come up in my therapy sessions are taking risks and making mistakes. Many of my students are very afraid of taking risks and are terrified of trying new things whether educationally or socially. To address the issue of taking risks and changing one’s mindset I like using two books by Julia Cook Bubble Gum Brain’ as well as ‘Don’t Be Afraid to Drop’.

Image result for bubble gum brainBubble Gum Brain’ (video) is a book about two kids: Bubble Gum Brain and Brick Brain, with two drastically different frames of mind. Bubble Gum Brain is a fun fun-loving adventure-taker who makes loads of mistakes, whether falling off a unicycle, striking out at baseball, or playing the harmonica. Even though those things are very difficult, he is not concerned about making mistakes because he realizes that by persevering and not giving up he is learning new things and actually having fun in the process. In contrast, Brick Brain is convinced that “things are just fine the way they are” and trying new things is hard. Brick Brain is hugely reluctant to take any chances in sports, at play, and in life, and is frequently complaining that things are “way too hard”. Then Bubble Gum Brain shows Brick Brain that all he needs to do is to peel off his wrapper, in order to see that he also has a Bubble Gum Brain. After that Brick Brain starts to realize that school and life can be a lot more palatable and even fun even when one is making mistakes.

Book Buddy for Bubble Gum Brain by Julia CookMy favorite part about this book is teaching my students to understand the Power of Yet (“You can’t figure this out …yet”), and explaining to them that with hard work and perseverance they can accomplish just about anything they set their mind to, including the mastery of their language and literacy goals! I teach them to take chances by trying to go just a little bit farther each time and pushing themselves just a tiny bit more in each of their therapy sessions. In addition to asking my students critical thinking questions regarding this text, I at times use a FREE book companion from Technology Tidbits on TPT, to supplement my therapy sessions. It contains a lesson plan overview, a book quiz, a sorting activity, and a few other resources which can wonderfully supplement the session for this book.

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Similar to the above,’Don’t be Afraid to Drop’ (video) is a book about a raindrop who is incredibly comfortable living in his cloud with his friends. He is having a very difficult time letting go of the comforts of his cloud as he doesn’t like change or wants to take a risk. However, with his father’s encouragement, the raindrop is eventually persuaded to leave his comfort zone and jump to the ground to see what he is missing. I really like the positive message in this book regarding welcoming change as well as giving back. “You can have it silver you might end up – I promise, you’ll be just fine you will land where you are needed.” By the end of the book, the raindrop realizes that “dropping” had helped him to grow; that change is an ultimately positive thing; and that giving to others (e.g., watering a flower) helps us all grow!

To continue, a considerable number of my students not only both loath (unwilling, reluctant) and loathe (hate) to make mistakes and be perceived as wrong, but will react in some pretty significant ways when those mistakes occur (e.g., climb under the table and refuse to come out, throw a tantrum and refuse to attend therapy sessions, etc.). To teach my students that mistakes are actually beneficial for learning I like to use books such as ‘The Girl Who Never Made Mistakes!’ by Mark Pett and Gary Rubenstein and ‘Your Fantastic, Elastic Brain‘ by  JoAnn Deak. 

11526654Beatrice Bottomwell is ‘The Girl Who Never Made Mistakes!’ (video) This nine-year-old is perfect in every way, to the point that when she leaves the house she is greeted by her fans, who don’t even know her real name because she’s known to everyone in town as “The Girl Who Never Made Mistakes”.  Beatrice never forgets her math homework, never wears mismatched socks, and has won her school’s talent show by doing her juggling act for three years in a row.  Then one day during cooking class, Beatrice makes an ‘almost mistake’ as she slips on a piece of rhubarb while carrying eggs from the fridge. Even though she manages to catch all the eggs, Beatrice becomes highly preoccupied with her ‘almost mistake’. In fact, she is so perturbed by it that she doesn’t want to ice skate with her friends and can barely eat her food. Later that evening, during the school’s talent show Beatrice’s preoccupation with her ‘almost mistake’ causes her to make a spectacularly huge mistake, which results in her being soaked in water, covered in pepper, with a hamster on her head.  Luckily, rather than getting spectacularly upset, Beatrice comes to a realization that not only do mistakes happen but sometimes they can be pretty hilarious! So rather than crying or getting upset she begins to their end the audience joins in until soon, no can’t quite remember why they were everlasting. This serves as a catalyst for Beatrice not only to have peace of mind but also to mix-and-match her wardrobe choices, make unusual lunches, as well as do plenty of falling during ice-skating. This also precipitates townfolk to finally start calling Beatrice by her real name rather than “The Girl Who Never Made Mistakes”.

Prior to reading this book, I discuss with my students the concept of mistakes, how they feel about when they make mistakes, whether they know people who have never made mistakes, as well as when, do they think it is ok to make mistakes. I spend quite a bit of time on discussing text embedded vocabulary words as well as idiomatic expressions (e.g., ‘stunned’, ‘wobbled’, ‘didn’t miss a beat’, ‘auditorium was packed’, etc.). There is a wealth of amazing FREE materials available to complement this book.  They include but are not limited to: a book companionBloom taxonomy leveled questions for grades Pre-K-5th, as well as an educators guide from the book’s two authors.

Image result for YOUR FANTASTIC ELASTIC BRAIN: STRETCH IT, SHAPE ITIn contrast to all the above books, ‘Your Fantastic, Elastic Brain‘ (video) is a non-fiction book with a focus on describing brain structures and their functions in a very kid-friendly way. The author, who is a psychologist by trade, does a really great job at explaining to children that the brain controls everything we do. She describes the functions of such structures as the cerebrum, cerebellum, hippocampus, amygdala, prefrontal cortex, as well as neurons in very child-friendly terms.  She explains the importance of practicing to get better at doing something, as well as emphasizes that things “get easier when you keep trying”.   I love the stress on the fact that “making mistakes is one of the best ways your brain learns and grows,” and that “if you aren’t willing to risk being wrong, you want to take the chances that S-T-R-E-T-C-H your elastic brain“. In addition to already mentioned science-related words identifying select structures of the brain, the book offers other impressive vocabulary choices such as balance, movement, electrical, signal, cells, neurosculptor, courage, molds, etc.  Beyond understanding why it’s okay to make mistakes, my students feel “really grown-up” because they get the unique opportunity to discuss parts of the brain “even kids in high school don’t know,” as one of my students had put it.

The publishers of the book ‘Little Pickle Press’ have a wonderful 16-page, free lesson plan for educators, intended for children ranging in ages from pre-K through third grade (although it can be easily used with older students with language difficulties as well as intellectual impairment). It is chock-full of educational activities, additional resources, as well as questions which facilitate the growth of meta-cognitive and metalinguistic abilities in elementary aged children. I also use Ned the Neuron Videos to complement book reading as well as book activities. Finally, a handy poster associated with the book can be downloaded HERE.

Image result for Thanks for the Feedback, I thinkIn conjunction with teaching children that it is perfectly acceptable to make mistakes I also attempt to ensure that they react appropriately when provided with constructive feedback.  For the purpose, I like to utilize a book by Julia Cook, entitled: ‘Thanks for the Feedback, I think‘ (video).  While this book primarily deals with helping children  appropriately respond to compliments, there are still several instances in the book when RJ, the main character receives constructive feedback aimed at helping him to get better at certain things such as playing soccer, keeping a lower voice in class, staying in his seat, as well as dawdling less during assignments. One complimentary activity I like to do in conjunction with the book reading is to have my students watch a variety of YouTube videos, in which individuals are receiving some form of feedback from others. It could be anything from the ‘American Idol’ and ‘Voice’ auditions to ‘Chopped’ judges providing feedback to chefs. After watching the clips I ask the students their impressions on how feedback was received by the participants and how did they figure out whether the participants reacted well/poorly to the provided feedback.

Image result for the judgemental flowerTo cap off our discussion on taking risks, making mistakes, and accepting feedback, I also wanted to give an honorary mention to yet another book by the prolific Julia Cook entitled, ‘The Judgmental Flower‘. It teaches children the value of being non-judgemental and being accepting of others’ differences. Because I work with children with significant emotional and behavioral difficulties, this book comes especially handy, when my students are attempting to be quite judgmentally rude to each other. I use this book to teach them to embrace and learn from each other’s differences and emphasize the fact that the world would be very boring is all of us were exactly the same. I also spend some time exploring the notion of “growing in the right direction” as well as on explaining the concept of diversity. I occasionally supplement the book reading with select FREE Activities which can be found HERE and HERE.

Of course, it is important to note that while I use the above books to improve my students’ social communication and executive function abilities, I do so by creating a variety of goals which explicitly target my students’ verbal expression, as well as reading fluency, reading comprehension, spelling, and writing skills. These include answering concrete and abstract questions, defining context embedded vocabulary words, decoding words in books, answering reading comprehension questions given visual support, as well as formulating written sentences based on select words identified in the stories, utilizing appropriate punctuation and capitalization.

Image result for moreSo now that you know what type of books I use in my therapy sessions with a focus on taking risks, making mistakes, accepting feedback, as well as being nonjudgmental, I’d love to expand my list by learning about new titles I am not yet aware of from you. Feel free to comments below regarding what other books you are using to address these themes in therapy.

Helpful Smart Speech Therapy Resources:

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Speech, Language, and Literacy Fun with Helen Lester’s Picture Books

Picture books are absolutely wonderful for both assessment and treatment purposes! They are terrific as narrative elicitation aids for children of various ages, ranging from pre-K through fourth grade.  They are amazing treatment aids for addressing a variety of speech, language, and literacy goals that extend far beyond narrative production.

There are numerous children books authors whom I absolutely adore (e.g., Karma Wilson, Keiko Kasza, Jez Alborough, M. Christina Butler, etc.). Today I wanted to describe how I implement books by Helen Lester into my treatment sessions with elementary aged children. (For information on how I use her books: “Pookins Gets Her Way” and “A Porcupine Named Fluffy” for narrative elicitation purposes click HERE.)

It is important to note that while Ms. Lester’s books are intended for younger children (4-7 years; pre-K-3rd grade), older children (~10 years of age) with significant language and learning difficulties and/or intellectual disabilities have enjoyed working with them and have significantly benefited from reading/listening to them.

Two reasons why I love using Ms. Lester’s books are versatility and wealth of social themes. To illustrate, “Hooway for Wodney Wat” and “Wodney Wat’s Wobot” are two books about a shy rat who cannot pronounce his ‘r’ sounds. Wodney is hugely embarrassed by that fact, and since there are no speech-language pathologists in Rodentia-land, Wodney spends his recess, hiding inside his jacket, trying to be as inconspicuous as possible. The arrival of a bullying, Miss-know-it-all, Camilla Capybara, brings some unexpected changes into the school’s dynamic, as well as provides Wodney with a very welcome opportunity to shine socially.

Image result for wodney wobotSpeech Production: Not only is there a phenomenal opportunity to use this book with children struggling with /r/ sound production, but it’s also heavily laden with a plethora of /r/ words in a variety of word positions (e.g., rodeo, robot, contraption, barrel, terrific, fur, prickled, bigger, fear, classroom, smarter, sure, etc.).

Language: There are numerous language goals that could be formulated based on Helen Lester’s books including answering concrete and abstract listening comprehension questions, defining story-embedded vocabulary words, producing word associations, synonyms, antonyms, and multiple meaning words (semantic awareness), formulating compound and complex sentences (syntax), answering predicting and inferencing questions (critical thinking), gauging moods and identifying emotional reactions of characters (social communication), assuming characters’ perspectives and frame of reference (social cognition, theory of mind, etc.), identifying main ideas in text (Gestalt processing) and much, much more.

  • Select Highlights:
    • VocabularyFor the ages/grades that there’ve written for (4-7 years; pre-K-3rd grade), Ms. Lester’s books are laden with a wealth of sophisticated vocabulary words such a: curtsy, contraption, trembled, dreary, shudder, varmint, fashionable, rodent, rattled, shenanigans, chanting, surgical, plunked, occasion, exception, etc.
    • Word Play:  Ms. Lester infuses a great deal of humor and wit in her books. Just look at the names of her characters in “A Sheep in Wolf’s Clothing”, which are: Ewetopia, Ewecalyptus, Ewetensil, Heyewe, Rambunctious, Ramshackle, and Ramplestiltskin.  Her ovine characters live in Pastureland and attend Woolyones’ Costume Balls while her porcine characters eat in a trough-a-teria.  
    • Social Communication: Many of Ms. Lester’s book themes focus on the celebration of neurodiversity (e.g., “Tacky the Penguin”), learning valuable life lessons (e.g., “Me First”), addressing one’s fears (e.g., “Something Might Happen”) and feeling uncomfortable in own skin (e.g., “A Sheep in Wolf’s Clothing”), etc.

Literacy: Similar to the above, numerous literacy goals can be formulated based on these books. These include but are not limited to, goals targeting phonological (e.g., rhyming words, counting syllables in words, etc.) and phonemic awareness, phonics, reading fluency and comprehension, spelling, as well as the composition of written responses to story questions.

  • Image result for princess penelope's parrotSelect Highlights:
    • Phonics: Students can practice reading words containing a variety of syllable shapes as well as decode low-frequency words containing a variety of consonantal clusters (Examples from “Princess Penelope’s Parrot” are:  hissed, parrot, buzzard, horribly, flicked, plucked, field,  flapped, silence, Percival, velvet, cloak, caviar, clippy-clopped, poofiest, impressed, expensive, galloping, gulped, bouquet, squawked, etc.)
    • Morphology: There’s a terrific opportunity to introduce a discussion on roots and affixes when using Ms. Lester’s books to discuss how select prefixes and suffixes (e.g., ante-, -able, -ive, -ion, etc.) can significantly increase word sophistication of numerous root words (e.g., impressive, exception, etc.)
    • Spelling: There is a terrific opportunity for children to practice spelling numerous spelling patterns to solidify their spelling abilities, including -ee-, -ea-, -ou-,-oo-, -oa-, -ui-, -ck, -tt-, -rr-, -ss-, -cc-, etc.

When working with picture books, I typically spend numerous sessions working with the same book. That is because research indicates that language disordered children require 36 exposures  (as compared with 12 exposures for typically developing children) to learn new words via interactive book reading (Storkel et al, 2016). As such, I discuss vocabulary words before, during, and after the book reading, by asking the children to both repeatedly define and then use selected words in sentences so the students can solidify their knowledge of these words.

I also spent quite a bit of time on macrostructure, particularly on the identification and definitions of story grammar elements as well as having the student match the story grammar picture cards to various portions of the book.

When working with picture books, here are some verbal prompts that I provide to the students with a focus on story Characters and Setting

  • Who are the characters in this story?
  • Where is the setting in this story?
  • Are there multiple settings in this story?
  • What are some emotions the characters experience throughout this story?
  • When did they experience these emotions in the story?
  • How do you think this character is feeling when ____?
    • Why?
    • How do you know?
  • What do you think this character is thinking?
    • Why?
    • How do you know?
  • What are some actions the characters performed throughout the story?
  • What were the results of some of those actions?

Here is a sampling of verbal prompts I provide to the students with a focus on story Sequencing 

  • What happened at the beginning of the story?
    • What words can we use to start a story?
  • What happened next?
  • What happened after that?
  • What happened last?
  • How do we end a story?
  • What was the problem in the story?
  • Was there more than one problem?
    • What happened?
    • Who solved it?
    • How did s/he solve it?
  • Was there adventure in the story?
    • If yes, how did it start and end?

Here is a sampling of verbal prompts I provide to the students with a focus on Critical Thinking 

  • How are these two characters alike/different? (compare/contrast)
  • What do you think will happen next? (predicting)
  •  Why/How do you think ___ happened (inferencing)
  • Why shouldn’t you, couldn’t s/he ____ ? (answering negative questions)
  • What do you thing s/he must do to ______? (problem-solving)
  • How would you solve his problem? (determining solutions)
  • Why is your solution ______ a good solution? (providing justifications)

Image result for tacky penguinHere is a small sampling of verbal prompts I provide to the students with a focus on Social Communication and Social Cognition 

  • How would you feel if ____?
  • What is his/her mood at ____ point in the story?
    • How do you know?
  • What is his/her reaction to the ____?
    • How do you know?
  • How does it make you feel that s/he are _____?
  • Can you tell me two completely different results of this character’s actions?
  • What could you say to this character to make him/her feel better?
    • Why?
  • What would you think if?

At times, I also use Ms. Lester’s guide for the following books: ‘It Wasn’t My Fault’, ‘Listen, Buddy’, ‘Me First’, and ‘A Porcupine Named Fluffy‘ to supplement my therapy sessions goals. It provides additional helpful ideas and suggestions on how her books can be further used in both therapy room as well as the classroom.

Finally, one of the major reasons why I really like Ms. Lester’s books is because some of them are ‘art imitating life’ and do not necessarily end up in a ‘traditional’ happily ever after. To, illustrate, “Princess Penelope’s Parrot” is a book about a spoiled princess who cannot get her new parrot to talk, even after threatening it and calling it insulting names. When Prince Percival comes courting, the parrot takes his hilarious revenge on Princess Penelope, and the parrot and Prince Percival do end up living happily ever after. However, Princess Penelope quickly gets over her embarrassment and goes back to her unrepentantly spoiled way of acting.

There you have it! Just a few of my many reasons why I adore using Helen Lester’s books for language and literacy treatment purposes. How about you? Do you use any of her books for assessment and treatment purposes? If yes, comment below which ones you use and why do you use them?

References:

Helpful Related Smart Speech Therapy Resources: 

 

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Speech, Language, & Literacy Disorders in School Aged Children with Psychiatric Impairments

Recently I did a presentation for Rutgers University on the subject of  “Speech, Language, & Literacy Disorders in School-Aged Children with Psychiatric Impairments“. The learning objectives for this presentation were as follows:  

  • Explain the comorbidity between language impairments and psychiatric disturbances of school-aged children
  • Describe language and literacy deficits of school-aged children with psychiatric impairments
  • List warning signs of language and literacy deficits in school-aged children that warrant a referral to speech-language pathologists for a potential assessment

It focused on the fact that health professionals need to be aware of a significant comorbidity between psychiatric impairments and language disorders, in order to appropriately refer relevant children for potential assessment and treatment services to improve their social and academic outcomes.

This presentation was video recorded and can be accessed in its entirety below as we as on Youtube. You can also access the handouts which accompany the video HERE

References:

  • Angus, L. E., & McLeod, J. (Eds.) (2004). The handbook of narrative and psychotherapy. London, UK: Sage Publications
  • Aram, D.M., Ekelman, B.E., & Nation, J.E. (1984). Preschoolers with language disorders: 10 years later. Journal of Speech and Hearing Research, 27, 232-244.
  • Baltaxe,  C.  A. M., & Simmons,  J.  Q. (1988b).  Pragmatic deficits in  emotionally  disturbed  children  and  adolescents.  In  R. Schiefelbusch & L. Lloyd  (Eds.), Language perspectives (2nd ed.,  pp. 223-253).  Austin, TX: Pro-Ed.
  • Baker,  L.,  & Cantwell,  D. P. (1987b).  A prospective psychiatric  follow-up  of children  with  speech/language  disorders. Journal of the American Academy  of Child and Adolescent Psychiatry, 26, 546-553.
  • Beitchman, J., Cohen, N., Konstantareas, M., & Tannock, R. (Eds.) (1996). Language, learning and behaviour disorders: Developmental, biological and clinical perspectives. Cambridge, NY: Cambridge University Press.
  • Benner, G.J., Nelson, R., & Epstein, M.H. (2002). Language skills of children with EBD: a literature review-emotional and behavioral disorders- statistical data included. Journal of Emotional and Behavioral Disorders, 10, 43-59.
  • Bishop, D. V., & Baird, G. (2001). Parent and teacher report of pragmatic aspects of communication: Use of the Children’s Communication Checklist in a clinical setting. Developmental Medicine & Child Neurology, 43(12), 809–818.
  • Brosnan, M.J. et al. (2004) Gestalt processing in autism: failure to process perceptual relationships and the implications for contextual understanding. The Journal of Child Psychology and Psychiatry, 45, 459–469
  • Bryan, T. (1991). Social problems and learning disabilities. In B. Y. L. Wong (Ed.), Learning about learning disabilities (pp. 195-229). San Diego, CA: Academic Press.
  • Cohen, N. & Barwick, M. (1996) Comorbidity of Language and Social-Emotional Disorders: Comparison of Psychiatric Outpatients and Their Siblings. Journal of Clinical Child Psychology, 25(2), 192-200.
  • Cohen, N., Barwick, M., Horodezky, N., Vallance, D., & Im, N. (1998). Language, achievement, and cognitive processing in psychiatrically disturbed children with previously identified and unsuspected language impairments. Journal of Child Psychology and Psychiatry, 39, 865–877.
  • Cohen, N., & Horodezky, N. (1998). Prevalence of language impairments in psychiatrically referred children at different ages: Preschool to adolescence [Letter to the editor]. Journal of the American Academy of Child and Adolescent Psychiatry, 35, 461–262.
  • Emde, R., Wolf, D., & Oppenheim, D. (Eds.) (2003). Revealing the inner worlds of young children—The MacArthur story stem battery. New York, NY: Oxford University Press.
  • —Gallagher, T. M. (1999). Interrelationships  among children’s language, behavior,  and emotional problems. Topics in  Language Disorders, 19, 1–15.
  • Gardner, R. (1993). Storytelling in psychotherapy with children. London, UK: Jason Aronson.
  • —Gilmour J, et al (2004). Social communication deficits in conduct disorder: a clinical and community study. J Child Psychol Psychiatry45: 967– 78.
  • Goldman, L. G. (1987). Social implications of learning disorders. Reading, Writing and Learning Disabilities, 3, 119-130.
  • —Gurney, D., Gersten, R., Dimino, J. & Carnine, D. (1990). Story grammar: Effective literature instruction for high school students with learning disabilities. Journal of Learning Disabilities, 23, 335-348.
  • Happé, F. G. E. (1994). An Advanced Test of Theory of Mind: Understanding of Story Characters’ Thoughts and Feelings by Able Autistic, Mentally Handicapped and Normal Children and Adults. Journal of Autism and Developmental Disorders, 24, 129-154.
  • Hill, J. W., & Coufal, K. L. (2005). Emotional/behavioral disorders: A retrospective examination of social skills, linguistics, and student outcomes. Communication Disorders Quarterly27(1), 33–46.
  • Hollo, A., Wehby, J. H., & Oliver, R. O.  (2014). Unsuspected language deficits in children with emotional and behavioral disorders: A meta-analysis. Exceptional Children, Vol. 80, No. 2, pp. 169-186.
  • Hummel, L. J., & Prizant, B. M. (1993) A socioemotional perspective for understanding social difficulties of school-age children with language disorders. Language, Speech, and Hearing Services in Schools, 24, 216–224
  • Hyter, Y. D. (2003). Language intervention  for children with emotional or behavioral disorders. Behavioral  Disorders, 29, 65–76.
  • —Hyter, Y. D., et al (2001). Pragmatic language intervention for children with language and emotional/behavioral disorders. Communication Disorders Quarterly, 23(1), 4–16.—
  • Langton,S et al, (2000) Do the eyes have it? Cues to the direction of social attention. Trends in Cognitive Sciences, 4 (2) 50-59.
  • Losh, M., & Capps, L. (2003). Narrative ability in high-functioning children with autism or Asperger’s syndrome. Journal of Autism and Developmental Disorders, 33, 239–251.
  • Nelson, J. R., Benner, G. J., & Cheney, D. (2005).An investigation of the language skills of students with emotional disturbance served in public school settings. Journal of Special Education39, 97–105.
  • Pearce, P. et al. (2014). Use of narratives to assess language disorders in an inpatient pediatric psychiatric population. Clin Child Psychol Psychiatry, 19(2) 244-259.—
  • Prizant, B.M., et al. (1990). Communication disorders and emotional/behavioral disorders in children and adolescents. The Journal of Speech and Hearing Disorders, 55, 179-192.
  • —Semrud-Clikeman, M., & Glass, K. (2010).  The Relation of Humor and Child Development: Social, Adaptive, and Emotional Aspects.  Journal of Child Neurology, 25, 1248-1260.
  • Sanger, D., Maag, J. W., & Shapera, N. R. (1994). Language problems among students with emotional and behavioral disorders. Intervention in School and Clinic30(2), 103–108.
  • —Tallal, P., Dukette, D,. and Curtiss, S (1989) Behavioral Emotional Profiles of Preschool language impaired children. Development and Psychopathology (1) 51-67.
  • Toppelberg, C., & Shapiro, T. (2000). Language disorders: A 10-year research update review. Journal of the American Academy of Child and Adolescent Psychiatry, 39, 143–152.
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Social Communication and Describing Skills: What is the Connection?

When it comes to the identification of social communication deficits, SLPs are in a perpetual search for quick and reliable strategies that can assist us in our quest of valid and reliable confirmation of social communication difficulties. The problem is that in some situations, it is not always functional to conduct a standardized assessment, while in others a standardized assessment may have limited value (e.g., if the test doesn’t assess or limitedly assesses social communication abilities).

So what type of tasks are sensitive to social communication deficits? Quite a few, actually. For starters, various types of narratives are quite sensitive to social communication impairment. From fictional to expository, narrative analysis can go a long way in determining whether the student presents with appropriate sequencing skills, adequate working memory, age-level grammar, and syntax, adequate vocabulary, pragmatics, perspective taking abilities, critical thinking skills, etc. But what if one doesn’t have the time to record and transcribe a narrative retelling, what then? Actually, a modified version of a narrative assessment task can still reveal a great deal about the student’s social communication abilities.

For the purpose of this particular task, I like to use photos depicting complex social communication scenarios. Then I simply ask the student: “Please describe  what is happening in this photo.”  Wait a second you may say: “That’s it? This is way too simple! You can’t possibly determine if someone has social communication deficits based on a single photo description!”

I beg to differ. Here’s an interesting fact about students with social communication deficits. Even the ones with FSIQ in the superior range of functioning (>130) with exceptionally large lexicons, still present with massive deficits when it comes to providing coherent and cohesive descriptions and summaries.

Here are just a few reasons why this happens. Research indicates that students with social communication difficulties present with Gestalt Processing deficits or difficulty “seeing/grasping the big picture”(Happe & Frith, 2006). Rather than focusing on the main idea, they tend to focus on isolated details due to which they have a tendency to provide an incomplete/partial information about visual scenes, books, passages, stories, or movies. As such, despite possessing an impressive lexicon, such students may say about the above picture: “She is drawing” or “They are outside” and omit a number of relevant to the picture details.

Research also confirms that another difficulty that students with impaired social communication abilities present with is assuming perspectives of others (e.g., relating to others, understanding/interpreting their beliefs, thoughts, feelings, etc.) (Kaland et al, 2007). As such they may miss relevant visual clues pertaining to how the boy and girl are feeling, what they are thinking, etc.

Students with social communication deficits also present with anaphoric referencing difficulties.  Rather than referring to individuals in books and pictures by name or gender, they may nonspecifically utilize personal pronouns ‘he’, ‘she’ or ‘they’ to refer to them. Consequently, they may describe the individuals in the above photo as follows: “She is drawing and the boy is looking”; or “They are sitting at the table outside.”

Finally, students with social communication deficits may produce poorly constructed run-on (exceedingly verbose) or fragmented utterances (very brief) lacking in coherence and cohesion to describe the main idea in the above scenario (Frith, 1989).

Of course, by now many of you want to know regarding what constitutes as pragmatically appropriate descriptions for students of varying ages. For that, you can visit a thread in the SLPs for Evidence-Based Practice Group on Facebook entitled: GIANT POST WITH FREE LINKS AND RESOURCES ON THE TOPIC OF TYPICAL SPEECH AND LANGUAGE MILESTONES OF CHILDREN 0-21 YEARS OF AGE  to locate the relevant milestones by age.

Interested in seeing these assessment strategies in action? Download a FREEBIE HERE and see for yourselves.

References:

  • Frith, U., (1989). Autism: Explaining the Enigma. Blackwell, Oxford.
  • Happe, F. & Frith, U. (2006). The weak coherence account: Detail-focused cognitive style in Autism Spectrum Disorders. Journal of Autism and Developmental Disorders, 36 (1), 5-25.
  • Kaland, N., Callesen, K., Moller-Nielsen, A., Mortensen, E. L., & Smith, L. (2007). Performance of children and adolescents with Asperger Syndrome or High-functioning Autism on advanced theory of mind tasks. Journal of Autism and Developmental Disorders. 38, 1112-1123.

 

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It’s a Fairy Tale (Well, Almost) Therapy!

I’ve always loved fairy tales! Much like Audrey Hepburn “If I’m honest I have to tell you I still read fairy-tales and I like them best of all.” Not to compare myself with Einstein (sadly in any way, sigh) but “When I examine myself and my methods of thought, I come to the conclusion that the gift of fantasy has meant more to me than any talent for abstract, positive thinking.”

It was the very first genre I’ve read when I’ve learned how to read. In fact, I love fairy tales so much that I actually took a course on fairy tales in college (yes they teach that!) and even wrote some of my own (though they were primarily satirical in nature).

So it was a given that I would use fairy tales as a vehicle to teach speech and language goals to the children on my caseload (and I am not talking only preschoolers either). Continue reading It’s a Fairy Tale (Well, Almost) Therapy!